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Vietnam stopped when I left in 1970. A week later I was skiing at Lake Tahoe, tan in the middle of February, and already my mind could not embrace the idea that the war still went...

Author: By Bruns H. Grayson, | Title: For Some, Vietnam Was A Personal Experience, And Not a History Lesson | 2/4/1974 | See Source »

...least mark found its place in a (to us) bewildering set of classifications, each with a name: lutestring stroke, olive (pit) stroke, spring-silkworm-spitting-silk stroke; hanging-creeper dots, rat-foot dots, and some 21 kinds of ts'un or "texture wrinkle," including something called the tan-wo-ts'un or "pellet (as dropped into mud) whirlpool (eddies) texture." If this sounds pedantic, it should be seen in context: the Chinese belief that any stroke (like any character) was a unit of meaning, virtually a work of art; and that the picture could be as much...

Author: /time Magazine | Title: Art: The Colors of Ink | 1/28/1974 | See Source »

Most days he leaves his heavily mortgaged $190,000 home in the Maryland suburbs and is driven in a Government-owned Lincoln by a Secret Service agent to a tan town house across Pennsylvania Avenue from the White House. There, with a staff of eight, he sorts the 400 cartons of his papers that cram the three floors of the narrow building and overflow into another house next door...

Author: /time Magazine | Title: The Nation: Spiro Agnew Between Jobs | 12/31/1973 | See Source »

...current staging at Manhat tan's Joseph E. Levine-Circle in the Square Theater, Iceman holds the play goer in the vise of O'Neill's passions and obsessions, but -the drama's organic life is stunted. Except for Hickey, Iceman 's characters tend to be puppets who are twitched to demonstrate the central the sis. James Earl Jones' Hickey is over wrought, a manic-morose evangelist given to fits of hysterical joviality. In a production not conspicuously endowed with strength or cohesiveness, Jones' prizefighter style makes him disconcert ingly and divisively strong...

Author: /time Magazine | Title: The Theater: Agon of the Sad Cafe | 12/24/1973 | See Source »

...began on June 15, when Graham whisked into Atlanta International Airport with a towering entourage of smiling, suntanned, seersucker-jacketed look-alikes. As he moved down the glass-walled corridor, Graham strode slightly ahead of his companions--his silver hair glistening a little more in the sunlight, his Hollywood tan more golden, his blue eyes more piercing, his big white smile more dazzling than the others'. Bystanders fought the blinding glare to gaze after his amazing grace...

Author: By Dale S. Russakoff, | Title: Billy Graham: He Walks, He Talks, He Sells Salvation | 12/12/1973 | See Source »

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