Word: tanto
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Dates: during 1940-1949
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...capabilities of the available performers, suffered from the apparently unquenchable desire of individual voices to stand out alone. The performance lacked both clarity and freshness; it continually dragged. Similar difficulties were encountered in the four Gabrieli selections, although the fine expression and phrasing in Monteverdi's Ohime Se Tanto Amate made up for lapses in technique. With the superb playing of six members of the New England Conservatory's brass department backing them up, the combined groups offered, in the final Jubilate Deo, some of the unrestrained, full-blown sonorities the large audience had been waiting to hear...