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Word: taping (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Trois Visages de Liege (1961), ending the first half, was played on Ampex and Sony tape decks, McIntosh amplifiers, and six large speaker enclosures along the walls. The first Visage, "L'air et l'eau," was dull, using everyday electronic sounds to no new effects. It sounded distressingly like the background music to either an aspirin commercial or a spaceranger episode. "Voix de la Ville" and "Forges," on the other hand, were fresh, and full of exciting ideas, unusual sounds creating a wide range of mental images: massive steam engines running wild, fiery boilers bursting at the seams; or perhaps...

Author: By Stephen L. Weinberg, | Title: Henri Pousseur | 3/2/1968 | See Source »

...eight-track stereo tape system owned by W. David McCollum '71, a slide projector containing slides to have been used in the production, and a microphone from the Loeb's sound system were taken...

Author: NO WRITER ATTRIBUTED | Title: Loeb Play Runs Despite Burglary | 3/1/1968 | See Source »

Fortunately, the thief left behind a specially produced tape recording used in synchronization with the slides. He was apparently well acquainted with the Loeb, Swistel said yesterday, since the stolen equipment was in an out-of-the-way room...

Author: NO WRITER ATTRIBUTED | Title: Loeb Play Runs Despite Burglary | 3/1/1968 | See Source »

...always the "how" of a story that keeps viewers pinned to their TV sets, since nearly everything else on the program is deliberately made familiar. At the opening, Peter Graves, 41, as Impossible Mission Leader Jim Phelps, enters a phone booth, warehouse or parked car, finds a hidden tape recorder, and turns it on. "Good morning, Mr. Phelps..." it begins, and then outlines the task: recover something crucial that has been stolen or prevent the supervillains from achieving some dastardly scheme. At the end of the recording the tape destroys itself in a pouf of smoke. The fact that...

Author: /time Magazine | Title: Programs: Mission Possible | 3/1/1968 | See Source »

...chooses the bar lines. It's like Jackson Pollock's painting." And Swallow, the most venturesome composer of the group, wants to pursue such directions as those he charted in General Mojo Cuts Up, in which the players improvise over a five-minute mélange of taped music, then pile their instruments into another impressionistic fancy while the tape is repeating. "Jazz," he says, "has to mutate in order to survive...

Author: /time Magazine | Title: Jazz: Liberated Spirits | 3/1/1968 | See Source »

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