Search Details

Word: tapped (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...almost carded another eagle on the par-five fourth. His five wood to the green flew long and was bunkered, but he almost holed the explosion shot coming back. He settled for a par after missing a tap-in for a birdie...

Author: By Robert Sidorsky, | Title: Golfers Sweep in Opener at Tough New Seabury | 4/13/1979 | See Source »

...Norman Lear take All in the Family around to union halls or down to a few blue-collar saloons before he inflicted Archie Bunker on us? Thank God that Lear did not get his hands on Roots. He would have turned it into a 400-year-old tap dance...

Author: /time Magazine | Title: Letters, Apr. 9, 1979 | 4/9/1979 | See Source »

...raised to distract the reader from the real question, the role and behavior of the conference organizers. On some campuses, it is true, organizers involved student governments in planning stages: my point, however, remains: that they did not involve the student bodies as a whole nor did they successfully tap into the active political movements on most campuses. At Harvard, the student body neither knew nor cared in large part about the conference, and the assembly was only peripherally involved. The Harvard organizations involved in the conference were involved only to the extent that individuals working on the conference also...

Author: NO WRITER ATTRIBUTED | Title: More on Philly | 3/22/1979 | See Source »

Thebes Like Us. Misdirected and acted with varying amounts of ease, this Leverett House show almost makes it. Andy Sellon's words and Andrew Schulman's music intermittently entertain, but the production borders on the amateurish rather than the amateur. This show harbors yet another tap number, yet another '50s song, and puns galore. Dr. Livingstone I. Presume and his nubile but crackers assistant, Rosetta Stone (Jon Isham and Dede Schmeiser), set out to solve the energy crisis, but land in ancient Thebes. The satire's often undirected, and Brigadoon did the end better. Still, audience response has been good...

Author: NO WRITER ATTRIBUTED | Title: Three Sisters, Thirty Trees | 3/15/1979 | See Source »

Good singing undoubtedly held Ellington together; the dancing, though accomplished and well-executed, changed styles too fast and too often. Crystal Terry's delightful tap-dancing number, "I'm Just a Lucky So and So," held together a daring length of time while the band held still, but it jostled the modern-ballet choreography in nearby numbers. The ballet bits added a little visual spice to a largely aural show, and let lithe Bonnie Zimering show her impressively precise dancing--but fancy ballet choreography and Duke Ellington are uncomfortable stage-mates at best...

Author: By Scott A. Rosenberg, | Title: Getting the Swing | 3/6/1979 | See Source »

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