Word: tappings
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Norman Lear take All in the Family around to union halls or down to a few blue-collar saloons before he inflicted Archie Bunker on us? Thank God that Lear did not get his hands on Roots. He would have turned it into a 400-year-old tap dance...
...raised to distract the reader from the real question, the role and behavior of the conference organizers. On some campuses, it is true, organizers involved student governments in planning stages: my point, however, remains: that they did not involve the student bodies as a whole nor did they successfully tap into the active political movements on most campuses. At Harvard, the student body neither knew nor cared in large part about the conference, and the assembly was only peripherally involved. The Harvard organizations involved in the conference were involved only to the extent that individuals working on the conference also...
Thebes Like Us. Misdirected and acted with varying amounts of ease, this Leverett House show almost makes it. Andy Sellon's words and Andrew Schulman's music intermittently entertain, but the production borders on the amateurish rather than the amateur. This show harbors yet another tap number, yet another '50s song, and puns galore. Dr. Livingstone I. Presume and his nubile but crackers assistant, Rosetta Stone (Jon Isham and Dede Schmeiser), set out to solve the energy crisis, but land in ancient Thebes. The satire's often undirected, and Brigadoon did the end better. Still, audience response has been good...
Good singing undoubtedly held Ellington together; the dancing, though accomplished and well-executed, changed styles too fast and too often. Crystal Terry's delightful tap-dancing number, "I'm Just a Lucky So and So," held together a daring length of time while the band held still, but it jostled the modern-ballet choreography in nearby numbers. The ballet bits added a little visual spice to a largely aural show, and let lithe Bonnie Zimering show her impressively precise dancing--but fancy ballet choreography and Duke Ellington are uncomfortable stage-mates at best...
...atmosphere of a jumping night-spot--perhaps the Cotton Club--in the Harlem of the 1930s. The performers belt out the songs, pushing each other out of the spotlight or fighting over dance partners in mock rivalry. If the mood strikes, they'll spring to their feet to tap out a furious rhythm or languidly drapes themselves across the piano--or the piano-player--onstage. He frequently joins in; sometimes the audience is invited to join...