Word: tarquinius
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GIORGIO Tozzi, 35, a tall (6 ft. 1 in.), big-shouldered Chicago-born bass, made his New York debut as Tarquinius in the 1949 Broadway production of Benjamin Britten's Rape of Lucretia, but after the short-lived Rape closed, Tozzi wound up a penniless student in Italy (he recalls being so weak from hunger that he could climb to his third-floor room only once a day). Since then, he has sung widely in Europe, last summer toured as Emile de Becque with Mary Martin in South Pacific. A onetime baritone, Tozzi has a deep, warm voice...
...Sept. 6), he could hardly have improved on Agnes de Mille's staging of The Rape of Lucretia or on John Piper's handsome sets, imported from Britten's Britain. Dark-eyed Kitty Carlisle looked ravishing as Lucretia and sang almost as well. George Tozzi (as Tarquinius) sang a fine baritone. As demanded, it was a quality operation, even if it fell short of being a quality opera...
...Named, explains his owner, "after the fellow [Sextus Tarquinius] who raped Lucrece...
...Carlo (The Medium) Menotti (TIME, March 3), Britten has written for a small cast and a chamber orchestra so that his opera can be performed easily and often. His newest music is easier to listen to than to sing. Said Baritone Frank Rogier, who sang the role of Seducer Tarquinius: "Any time you sound in tune with the orchestra, you're off. So you go in the other direction." But Britten's insistent, subtle use of rhythmic and dissonant backgrounds put a wallop into Librettist Ronald Duncan's seething play. The opera opens with a rousing drinking...
...show had both splendors and curiosities. One Renaissance painting shown for the first time in the U. S. was Tintoretto's Lucretia and Tarquinius (see cut), lent indefinitely by one of Paris' apprehensive art collectors. One of the few first-rate Tintorettos to be seen outside Europe, the picture interested students for its Michelangelesque distortions (as in Tarquinius' leg), its hint of El Greco pattern in the nervous, lightning-like highlights on the strewn drapery, and such tricky details as the falling cushion and pearls, one of which is caught symbolically in Lucretia's shift...