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...suspension of belief to remember that these star actors were born and raised in the genially warped minds of a cell of young cartoonists 40 and 50 years ago. Of the six major Warner's directors--Jones, Isadore ("Friz") Freleng, Robert McKimson, Bob Clampett, Fred ("Tex") Avery and Frank Tashlin--the first three spanned virtually the entire life of the shop, from the early or mid-30s until it was closed in 1963. In 1937 Warner's hired Mel Blanc, the man of a thousand funny voices, most of them sounding like a Bronx sharpie with a case of adenoids...

Author: /time Magazine | Title: Show Business: For Heaven's Sake! Grown Men! | 9/9/1985 | See Source »

Died. Frank Tashlin, 59, Hollywood director who built his career on the sight gag and slapstick chase; of a heart attack; in Beverly Hills, Calif. Originally a cartoon animator, Tashlin graduated to comedy writing in the 1930s and '40s, and to directing in the '50s (The Glass Bottom Boat, Will Success Spoil Rock Hunter...

Author: /time Magazine | Title: Medicine: Medicine, May 22, 1972 | 5/22/1972 | See Source »

...troubling by virtue of its compositional imbalance, not its overtly ironic content. Particularly in interior scenes, Antonioni recognizes that destruction of form within a Panavision screen can be used thematically, for example to warn against America's depersonalized computer jungles. In this he becomes the thinking man's Frank Tashlin ( Bachelor Flat, The Girl Can't Help It ), who also revels in the natural excess of the wide screen and applies it to similar subjects: mechanical courtship, distortion of props, vistas of commercialized cityscapes. Antonioni's photographic approach to American life-styles goes a long way toward explaining...

Author: By Tim Hunter, | Title: In Search of 'Zabriskie Point' | 3/11/1970 | See Source »

...triumph of MGM's technical facilities. But as soon as Grand Prix leaves the track, it becomes an ugly film. There are eight directors in Hollywood who know how to use wide screen. They are George Cukor, Nicholas Ray, Otto Preminger, Douglas Sirk, John Ford, Fritz Lang, Frank Tashlin, and Budd Boetticher. Not John Frankenheimer...

Author: By Sam Ecureil, | Title: Grand Prix | 1/6/1967 | See Source »

Divorced. By Mary Costa, 36, blonde and beautiful lyric soprano, who left a $150,000-a-year job as TV's Chrysler Girl for an opera career, making her widely acclaimed 1964 Metropolitan debut as Violetta in La Traviata: Frank Tashlin, 53, Hollywood writer-director of slapstick comedies (The Man from the Diners' Club); on grounds of cruelty; after twelve years of marriage, no children; in Santa Monica, Calif...

Author: /time Magazine | Title: Milestones: Apr. 22, 1966 | 4/22/1966 | See Source »

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