Word: tashman
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Dates: during 1930-1939
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...loud & leering orgy of indelicacy & suggestiveness." Subsequent Follies helped to make Ziegfeld a millionaire, "glorified" a succession of beautiful women,* including Justine Johnstone, Olive Thomas, Marilyn Miller (he called hers "the most beautiful form in the world"), Yvonne Taylor ("she wore the most beautiful tights"), Mae Murray, Lilyan Tashman, Ina Claire, Billie Dove, Mary Hay, Nita Naldi, Marion Davies, Peggy Hopkins Joyce. He was responsible for the fame of Will Rogers, Bert Williams, William Claude Fields, Eddie Cantor, Jack Donahue...
...second picture, "Ladies About Town," is excellent comedy. Lillian Tashman and Kay Francis are slick, svelte, and most acceptable as a pair of New York gold diggers. They are the best dressed women in Hollywood, and they appear in a vehicle that gives them every chance...
...attend cinemas follow the dictates of their companions, there is only one woman director in Hollywood (Dorothy Arzner) and no important woman executive. The Mad Parade is the first picture with an entirely feminine cast. Men are constantly discussed by the women members (Louise Fazenda, Lilyan Tashman, Irene Rich) of a canteen in the War, but no male actor appears in the picture with the possible exception of a large rat at whom the heroine (Evelyn Brent) throws a hand grenade...
...Donald Ogden Stewart's Mr. and Mrs. Haddock Abroad. It is not as funny as it ought to be partly because it follows the hackneyed formula of a naïve U. S. couple seeing Europe for the first time, partly because of the unnecessary subplot involving Lilyan Tashman as an adventuress who tries to steal $50.000 from Mr. Haddock, and precocious Mitzi Green, who frustrates the conspiracy. It is funny when the insane hilarity of Author Stewart is permitted to come to the surface: Mr. Haddock (Leon Errol) wrestling with a brakeman in an empty car; Mrs. Haddock...
...produced a story which will make cinema seers feel content that winners of the Nobel and other awards have not so far been hired to compose operettas. It is about a flower girl who, masquerading as a notorious cabaret entertainer, wins the love of John Boles. The singer (Lilyan Tashman) has been exiled by the police from Budapest to the familiar Hungarian musical comedy steppes?a district of palaces, vineyards, and extemporary duets. Going as substitute, the flower girl is wooed by an important local grandee who judges her character by what he has heard about Miss Tashman. Evelyn Laye...