Word: tasto
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...independently. Even the quartet itself was overly consistent in its color: passionate lines in the upper register nearly dominated the work. Clearly this was necessary in order to isolate the quartet from the orchestral strings. Yet the contrasting colors of pizzicato, double stops, trills, tremolos, sul ponticello or sul tasto bowings, if present, were far too subtle to stand...
...Development of Tasto in Literature," Professor Munn, Now Lecture Hall...
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