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...most of us had never heard a note of Mahler's music; I remember my music teacher telling me at age fifteen that Mahler was "dark, tough to understand, an indisputable master," If we were fortunate we came to the First or Fourth Symphony first, and gradually realized tat, uniquely in this composer, all his works are mutually informing and illuminating, but none the easier for unprecedented unity...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

...multitudinous and mercurial temperament. It is a sepulchral, reflective, affirmative, anguished sunlit work composed of Waltz, song, marc, and chorale. The earliest critics heard in it only a concertinos, amorphous confusion, when in fact it is the employment of the disparate images simultaneously resident in man's psychological existence tat informs the work with the sophistication which, if misjudged, seems like chaos. The first movement portrays the awakening of nature, the Scherzo is a boisterous landler based on first movement themes, the slow movement is a generally cheerful sylvan cortege in which forest animals, according to Mahler's expressed program...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

Brown said other problems are the busy Harvard Square traffic which prevents people from parking and the hippy attire of many of the customers, which frightens away many Harvard wives. However, Zavell said tat sales are not the major problem. Sales rose eight per cent this year, but expenses nullified this increase...

Author: NO WRITER ATTRIBUTED | Title: Coop Rebates May Drop | 8/12/1969 | See Source »

Madame Carmirelli attacked the first movement of the sonata at break-neck speed, despite the fact tat in Bach's time, both tempo and dynamics were much less varied than they have been since. Then, the slow movements and thew allegros more closely resembed each other in speed. In dynamics, Bach conceived of his works as built of solid, steady blocks of sound. Madame Carmirelli constantly shifted from pianist to forte and from slow to fast. It is true Bach wrote the sonatas as little "soul-states" as Schweitzer says, but he writes with polyphone rather than her extremes...

Author: By Richard E. Hyland, LAST MONDAY AT SANDERS THEATRE | Title: The Concertgoer | 7/29/1969 | See Source »

...ashtrays and wastebaskets for a last drag on a crushed cigarette butt. Cigarettes were an opiate--sleep, an escape. On my right a woman sat lethargically in her chair--her eyes heavy and dull. I tried to start a conversation but she turned to the wall, flashing a look tat could only mean "Leave me alone...

Author: NO WRITER ATTRIBUTED | Title: Chronic Ward | 7/25/1969 | See Source »

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