Word: tate
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Dates: during 1990-1999
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Immediate neighbors often oppose cohousing proposals but tend to come around once the homes are built. "It's pretty cool," says Ken Tate, 40, who lives across the street from Southside Park. "More neighborhoods should group together like that." Although drug deals go down daily on the sagging porches and litter-strewn sidewalks that surround Southside, no one has ever broken into one of its houses. There are too many watchful eyes...
...heads of the LGC are Edward M. Tate '99, Laura B. Zukerman '99, and Stephanie C. Field '99. Their connections to old money could be strong: Tate is a past president of the Porcellian club, and Field is a descendant of retail giant and Harvard alumnus Marshall Field...
...View has more to offer. Along with a nuanced picture of the anguish a mother and daughter can cause each other without even trying, the play develops several contrapuntal themes: the rise of Dominic (Tate Donovan) from striving young critic to media superstar; Esme's descent into financial ruin; her mother-in-law's slide into senility. All of which is arrayed on a Shavian battlefield in which strong and articulate people grapple with ideas about art and life...
Louis, in her first performance since her drug rehabilitation, tackles the challenging role of Carla Tate, a young mentally-disabled woman returning home after coming of age in a secluded private residential school. she is escorted to her affluent family's home is San Francisco by her eager and understanding father Radley Tate (Skerritt). There Carla is greeted by her two sisters Caroline and Heather, Caroline's new fiance and an overbearing mother (Keaton). Ambitious Carla Soon enrolls at Bay Tech Junior College where she meets Daniel McMare (Ribisi), another mentally challenged 20-something student. Danny, unlike Carla, attended mainstream...
...current Bonnard show at the Museum of Modern Art in Manhattan, which includes this painting and some 80 others, is a compressed version of a larger affair organized last year by art historian Sarah Whitfield at the Tate Gallery in London, and although it suffers somewhat from the absence of some paintings and omits his drawings and early poster designs altogether, the absence is tolerable. What matters is to have Bonnard in view again. He's one of those modernist masters who seem to keep slipping in and out of focus, not unlike some of the objects in his paintings...