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...statues in London's Tate Gallery, none is more famed than Rodin's The Kiss. Rodin had three carvings made of his white-marble couple, and the one at the Tate is the last and best. There was a public furor in 1913 when its owner, a private collector named Edward Warren, lent it for exhibition in a Sussex town hall: local puritans draped a sheet over the nude figures. But since 1939, The Kiss has stood in prominent and honored display in the Tate's hall of sculpture. Britons are used to it now-and proud...

Author: /time Magazine | Title: Art: England's Rodin | 11/3/1952 | See Source »

...public has usually returned the insult; shocked art lovers once set on Epstein's early Rima, a lumpish, bas-relief nude, and painted it green. But in recent years, both Sculptor Epstein and his critics have mellowed a bit. Last week, after a look at a Tate Gallery show spanning his life's work, London was ready to accept Epstein for the intense and skillful artist...

Author: /time Magazine | Title: Art: The Bank of Triumph | 10/6/1952 | See Source »

...Epstein's old shockers were in the Tate exhibit, e.g., his 1931 Genesis, showing a heavy-featured woman clutching her pregnant, outthrust belly. "Repellent as ever," observed the Times. But no one was much shocked this time, though the public still preferred his powerfully modeled portrait heads. The famous ones-Albert Einstein with his lofty brow and fiercely energetic hair; Nehru, smoldering with deep-eyed intensity; Haile Selassie, imperious in thin-drawn pride; Somerset Maugham, his expression twisted and wry-had the impact of enormously effective sketches, superbly drawn...

Author: /time Magazine | Title: Art: The Bank of Triumph | 10/6/1952 | See Source »

...signers: John Chamberlain, John Dos Passos, Max Eastman, James T. Farrell, Alfred Kazin, William Phillips, Katherine Anne Porter, Allen Tate, Lionel Trilling, Peter Viereck, Robert Penn Warren, Thornton Wilder, Edmund Wilson...

Author: /time Magazine | Title: FOREIGN RELATIONS: Injustice & Disservice | 8/11/1952 | See Source »

...Bless You, Sir." Said the Manchester Guardian: "Both the beauty of the drawings and the depth of the observation are expressed so quietly that the casual observer may easily overlook them." Said Sir John Rothenstein, director of London's Tate Gallery: "Keene is unquestionably the greatest of the great number of artists thrown up by day-to-day drawing. His drawings are a revelation...

Author: /time Magazine | Title: Art: Hurrahs for a Modest Man | 7/28/1952 | See Source »

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