Word: tate
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...sudden, in a rush, the English know what they have got. "Surely the greatest living painter," wrote Alan Bowness, director of London's Tate Gallery. "The greatest painter in the world," claimed Lord Gowrie, England's Minister for the Arts, "and the best this country has produced since Turner." The artist is Francis Bacon, 75, whose second retrospective exhibition at the Tate (the first was 23 years ago) opened last month...
...glass wall. (Maybe this is why Bacon insists on putting even his biggest canvases behind glass: it makes the separation literal, though sometimes too literal. The glass becomes an element, even a kind of collage.) As Art Historian Dawn Ades acutely notes in her catalog essay to the Tate show, there is a lot in common between Bacon's vision of human affairs and the neurasthenic, broken allusiveness of early Eliot -- a cinematic, quick-cutting mixture of "nostalgia for classical mythology, the abruptness of modern manners, the threat of the unseen and the eruption of casual violence." Some lines from...
...chancy, but that kind of chance is easily manipulated with practice, and it rhymes suspiciously well with other curves in the painting (like the back of the chair in the picture within a picture to the left). The truth is that the Bacon one sees this time at the Tate has much more in common with old masters than with contemporary painting. The paint acquires a wonderful plenitude in becoming flesh. One thinks of the coruscated light, the Venetian red interstitial drawing, in Tintoretto. This kind of paint surface is part of the work of delivering sensations, not propositions...
...from among some 70 competitors for the Sackler job. Since then, he has won the gold medal of the Royal Institute of British Architects, the international $100,000 Pritzker Prize and some of England's and West Germany's choicest commissions, including an addition to the Tate Gallery in London and a science center in the monumental heart of West Berlin. He is the subject of a lavish catalog with commentary, to be published next month, titled James Stirling: Buildings and Projects (Rizzoli; $45). Philip Johnson, the doyen of his profession, has endorsed Stirling as a longtime wunderkind...
...buffs have thousands of exotic software packages to choose from, but most of them still use their machines largely for five basic tasks: writing, calculating, drawing graphs, organizing data and sending messages over telephone lines. Until recently, the biggest news in software was the arrival of programs like Ashton-Tate's Framework or Lotus' Symphony and Jazz that can do all five jobs at once. Now, however, programs designed for quite different uses have begun to catch on. Among them...