Word: tates
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Keenan also cites the poet James V. Tate, known for his playful musings on human absurdism, as an additional source of motivation. Keenan says that he identifies with Tate’s “sense of humor” and his “self-alienated relationship to society...
...Pattinson himself. He rebels against an aloof father (Pierce Brosnan) by living wholly without purpose, all the while fiercely protective of his sister Caroline (Ruby Jerins), which may or may not be due to their older brother’s suicide. One night, Tyler and his roommate Aidan (Tate Ellington) implicate themselves in a street fight, and a cop (Chris Cooper) throws the roommates into jail. After Tyler’s father bails them out, Aidan hatches a plan for Tyler to vindictively seduce then dump the cop’s daughter, Ally, who shares a class with Tyler. Predictably...
...also cynical and angry enough to break up a bar fight, let the bad guys go, and beat up the mouthy kid who demands justice. That would be Tyler. Hence the motivation for dating Ally: a revenge scenario devised by his roommate Aidan (Tate Ellington), the kind of wisecracking, sleazy oaf that always hangs around the hero in romantic comedies. Of all the tired, unrealistic means the movies use to get characters together, this ploy is the worst. I would rather be forced to swallow the notion of Tyler and Ally meeting through sheer coincidence than watch this unfold...
...upcoming project, Hanks has obtained the rights to Vincent Bugliosi's controversial Reclaiming History: The Assassination of President John F. Kennedy. He is eager to weigh in on America's quintessential murder mystery. (Bugliosi is best known for having put Charles Manson in prison for the Tate murders.) Hanks and Gary Goetzman will act as executive producers, and Hanks hopes the adaptation will air in 2013. He believes the public has been snookered into believing that Lee Harvey Oswald was framed. "We're going to do the American public a service," Hanks says. "A lot of conspiracy types are going...
...ICA—with its waterfront location, glass and metal architecture, and massive windows streaming natural light—not only stands up to, but compliments the exhibit, holding its own against the Modernist juggernauts Tate Modern in London and Whitney Museum of American Art where “Roni Horn aka Roni Horn” had previously traveled. The building itself opened at the end of 2006—the first new art museum built in Boston in nearly 100 years...