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...trooped to see the evidence - 400-odd paintings and sculptures that the Royal Academy had bought & paid for from the proceeds of the Chantrey Bequest (TIME, Jan. 10). Were they as good as the Academicians insisted? Or did they belong back in the cellars of London's Tate Gallery, from which they had been momentarily resurrected...

Author: /time Magazine | Title: Art: Indomitable Mediocrity | 3/14/1949 | See Source »

Academy President (and horse-painter) Sir Alfred Munnings galloped to the defense of the Academy by attacking modernism : "The director of the Tate may be able to tell us why a painting of a head with two noses is better than the landlady's favorite The Bath of Psyche, by Lord Leighton." Old folks generally liked the paintings, too. Said one blackstocking: "They remind me of my youth. Besides, I know what the subject is meant to be. Can't do that with pictures nowadays." Said another: "So frightfully British . . . and I do love the cows...

Author: /time Magazine | Title: Art: Indomitable Mediocrity | 3/14/1949 | See Source »

...made his point. The selection committees had purchased no Hogarths, Reynoldses, Gainsboroughs, Constables, Turners, Blakes or Lawrences. Among later artists, there were no canvases by Whistler or Rossetti-though there were a great many by Royal Academicians. This week, except for about 30 paintings and sculptures which the Tate had always thought worth looking at, the exhibit went back into deep freeze -Psyche...

Author: /time Magazine | Title: Art: Indomitable Mediocrity | 3/14/1949 | See Source »

...purchase of works of fine art of the highest merit . . . executed within the shores of Great Britain." Chantrey's will specified that the president and council of the Royal Academy should be the judges of what to buy with the money. In 1897, the Academicians had picked the Tate as just the place for the collection...

Author: /time Magazine | Title: Art: Out of the Basement | 1/10/1949 | See Source »

This week in London, the Royal Academy, having worked over Tate's basement trove, put the whole collection on show in its Piccadilly museum. The Academy hopes to prove the error of Scoffer Rothenstein's ways, to end what it considers a "mischievous and unseemly controversy." Rothenstein hopes gallerygoers will laugh the collection back to the cellar. In a sense, he will be on show himself. From a group study entitled The Princess Badroulbadour, painted by his father Sir William Rothenstein, the young John of 1908 will gaze, fixed and helpless, at the passing jury...

Author: /time Magazine | Title: Art: Out of the Basement | 1/10/1949 | See Source »

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