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Near the town of Coldwater in Tate County, Miss., where the kudzu hills rise gently from the Delta flatlands in the west, there's a gravel track that runs through stands of scrub oak and pine to reach a dusty clearing: two single-wide trailers, a small vegetable patch, a bluetick hound sleeping in the lee of a faded green Lincoln. Music is in the air--the fierce, hypnotic boogie known as hill-country blues--because this is the headquarters of the North Mississippi Allstars...

Author: /time Magazine | Title: Coldwater, Miss.: These Hills Are Alive | 7/10/2000 | See Source »

Welcome to Tate Modern, once a power station built above the bomb wreckage of the blitz by a half-forgotten architect named Giles Gilbert Scott, now rebuilt by the Swiss-based firm of Herzog & De Meuron as London's first museum of modern...

Author: /time Magazine | Title: Art: Kissing a Grimy Princess | 7/10/2000 | See Source »

Fortunately for it, and for all central London, that person was the director of the Tate Gallery, Sir Nicholas Serota...

Author: /time Magazine | Title: Art: Kissing a Grimy Princess | 7/10/2000 | See Source »

...Tate had long had its own problems. It was overstuffed: not enough walls to show the art on, not enough basement to store the submerged nine-tenths of the iceberg in. It was also, to no small degree, schizophrenic: beyond comparison, the greatest historical collection of British art that ever has been or will be assembled, but encased in a jacket of international-modernist works, the two pushing and puffing for wall space in a great city that, unlike New York, Paris, Berlin or almost any other major Western city, still had no "dedicated" museum of modern art. This...

Author: /time Magazine | Title: Art: Kissing a Grimy Princess | 7/10/2000 | See Source »

...galleries will make the artists happy. They are plain, well-lit boxes, with floors of unsanded white oak or polished concrete. There's not a remarkable thing about them, which means it will be easier for the unusual artistic conjunctions the Tate has conjured to jump forward. The art, all post-1900, is organized by subject rather than chronology. There will be nudes and still-life, landscape and history paintings. Thus Richard Long's work Red Slate Circle (1988) is exhibited below Monet's Water-Lilies (after 1916). Pieces by two artists, working at different ends of the century with...

Author: /time Magazine | Title: Architecture: Industrial Revolution | 5/22/2000 | See Source »

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