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...Uncle (French). A wicked satire on mechanized modern living by Jacques (Mr. Hulot's Holiday) Tati, who is probably the funniest funnyman in films, but in this one overdoes his wit by at least 30 minutes...

Author: /time Magazine | Title: CINEMA: Time Listings, Dec. 22, 1958 | 12/22/1958 | See Source »

...Uncle (French). Jacques Tati (Mr. Hulot's Holiday), who is probably the cinema's most gifted present practitioner of the sight gag, has produced a satire on the mechanization of modern living that is always pretty witty, although in moviemaking terms it is sometimes tatty Tati...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: From Hollywood | 12/15/1958 | See Source »

...Uncle (French). Jacques Tati (Mr. Hulot's Holiday), who is probably the cinema's most gifted present practitioner of the sight gag, has produced a satire on the mechanization of modern living that is always pretty witty although, in movie-making terms, it is sometimes tatty Tati...

Author: /time Magazine | Title: Time Listings: Time Listings, Dec. 8, 1958 | 12/8/1958 | See Source »

...moviemaker cuts from one way of life to the other, makes his points by contrast. When he looks at life in the living machine, Tati has some wonderful fun with an electric stove that has a monstrous control panel, and with a rationalized garden in which, of course, nothing grows. But it is when he looks at life on the seamy side that Tati has his grandest inspirations. There is a marvelous sequence, apropos of nothing, in which a dog leads a man on a leash. Yet surely the funniest passage in the picture is the long slow crescendo...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 1, 1958 | 12/1/1958 | See Source »

...such moments-when he throws all social and philosophical considerations to the winds and concentrates on building up the exquisitely precarious card house of a complex gag-Comedian Tati seems the funniest funnyman now at work in films. The trouble is that Tati is not content to be merely a comedian. He has developed all sorts of crypto-Chaplinesque rationalizations about the deeper significance of Monsieur Hulot-"modern man ... at the mercy of objects . . . enmeshed by circumstances." The film, as a result of these lucubrations, is at least half an hour too long, and in the length it fails...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 1, 1958 | 12/1/1958 | See Source »

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