Word: tatlin
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Franchi's creative flair is evident throughout, from the funky furniture (including a sofa inspired by Vladimir Tatlin's famous Monument to the Third International) to the themed rooms. Dedicated to Ayrton Senna, one room has a video of the Formula 1 champion above the bed. A new suite devoted to Picasso is scattered with ephemera from the master's Mougins studio...
Kentridge has borrowed from the imagery of that avant-garde, the ecstatic and utopian imagery of Vladimir Tatlin and Kazimir Malevich, for a production of The Nose--Shostakovich's 1930 opera based on the Gogol story about a Russian bureaucrat who awakens one morning to discover that his nose has left his body and begun to pursue its own career up the social hierarchy--that the Metropolitan Opera in New York City will mount next year. The San Francisco show, which was organized by Mark Rosenthal, a curator at the Norton Museum of Art in West Palm Beach, Fla., climaxes...
...into a poor working-class Moscow family and trained as an artist in St. Petersburg, Filonov was part of the singular explosion of avant-garde art that blossomed in early 20th century Russia from the likes of Abstractionist Wassily Kandinsky, Supremacist Kasimir Malevich, Surrealist Marc Chagall and Constructivist Vladimir Tatlin. But Filonov never stayed with any school except his own, which he called "analytical art." It was in the eulogy to Filonov offered by the poet Alexei Kruchenykh, Futurism's major theoretician, that the exhibition's curators found their title, Witness of the Unseen...
...collapsed soon enough; today it looks like a fossil from the early Messianic era of modernism. In fact, none of the more exalted claims made for abstract art over the past century have worn well. In the first flush of optimism after the 1917 Revolution, artists like Vladimir Tatlin hoped that abstraction, if made of the common materials used by workers, could lift dialectical materialism to a new plane and so become the basis of a popular art. These dreams ended in indifference and, for some, the Gulag...
...workers' materials like tin and rope and painted wood; the disembodied black and red squares of now cracking paint. French gallerygoers 100 years ago never felt like this about the art of the French Revolution. Jacques-Louis David looked old-fashioned by then, whereas Wassily Kandinsky, Kazimir Malevich, Vladimir Tatlin, El Lissitzky, Alexander Rodchenko, Liubov Popova and all their colleagues in the ism soup of the Russian artistic vanguard still look fresh and daring...