Word: tatsuya
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...Seven, a group dedicated to exacting explosive retribution on the society that wants them dead. The government, in turn, recruits yet another class of kids to hunt down the vigilantes on their island stronghold. Leader of the Wild Seven is Shuya Nanahara, played by fiery-eyed 21-year-old Tatsuya Fujiwara. In the first film, Nanahara is a somber schoolboy who survives more due to luck than killer instinct. In the sequel, he reappears as the almost impossibly intense and charismatic?though still somber?terrorist mastermind. Holed up in his ramshackle fort, torn between enlightened world-weariness and revolutionary zeal...
Also named as fellows were Ragip Duran from Turkey; Aytul Gurtas, also from Turkey; Andreas Harsono from Indonesia; Tatsuya Inose from Japan; Rakesh Kalshian from India; and Lee Kwangchool from South Korea
...Tora! Tora! Tora! (1970). A balanced, almost documentary view of winter 1941, including the very distinct possibility that FDR and his top brass knew about it ahead of time. On the American side, Martin Balsam, Jason Robards and Joseph Cotten as Secretary of State Stimson, and S? Yamamura and Tatsuya Mihashi manning the aerial battering ram. A full complement of directors, one American and two Japanese, make this a true learner for those whose schoolbook days are mercifully over...
...Gondo, Mifune's performance performance in the first half of the movie dominates the whole, even though he has three short scenes in the second half before the denouement. Tatsuya Nakadai (of Sword of Doom, as students in Heroes for Zeroes may realize) radiates competence as the police in charge of the case. He resembles Dale Cooper, of Twin Peaks fame, complete with slicked back hair and stylish, dark suits...
...audience can read the play of noble emotions in their features. In Ran, that shot scarcely exists. Kurosawa's cameras (he usually covers each scene with three) are always pulled back into godlike positions, and they provide a new perspective on the rages and the ultimate madness of Tatsuya Nakadai's Lear figure. From above and beyond, we perceive him not as a great man falling but as a fragile, all too human stumbler. Distance lends an analogous irony to the scenes in which his older sons and their advisers--among them a hypnotic Kurosawa invention, Lady Kaede (Mieko Harada...