Word: tatsuya
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KAGEMUSHA begins with a simple tableau: a Japanese feudal lord, Shingen (Tatsya Nakada), sits in the center of the screen: on the left is his brother (Tsutomu Yamakazi); in the lower right corner is a thief (Tatsuya Nakada), whom the brother has plucked from a crucifix because he bears a strong resemblance to Shingen. An austere composition, the lord virtually immobile, the camera immobile, the long scene played out in one shot. Later, after the lord. Shingen, has been assassinated, we learn that he was called the Moutain, that the Moutain did not move, and therein was his strength...
Kagemusha is magnificently served by Tatsuya Nakada as Shingen and his double, the thief. Nakada has white, puffed-out sideburns, and capacious sacks beneath his beautiful liquid eyes. As Shingen they convey warehouses of wisdom; as the thief they are the befuddled eyes of a clown. Eventually the two personas merge; so powerful is Shingen's spirit that merely by acting naturally the thief begins to duplicate his actions, almost to think his thoughts. When Shingen's son, Katsuyori, eager to assume his dead father's power by exposing the double, challenges the compulsorily silent double at a large meeting...
...double (played with exemplary restraint by Tatsuya Nakadai, who also plays the man he is doubling for) grows into his leadership role, acquiring the wisdom that should accompany leadership. In due course he is undone through ironic circumstances. And after that, one must witness the undoing of Shingen's clan through the misrule of his successor. Kurosawa contemplates ruin as he contemplates glory, with an objective thought as to what can be salvaged from disaster in the way of a momentary beauty, the accidental congeries of color and composition that men create as they go about their often bloody...
...Tokyo's 500 galleries are one-room affairs, Marlborough, typically, is preparing to open in a palatial house in the fashionable Tokyo district of Hiroo. Massively funded-its Japanese stockholders include the heads of Sony and Panasonic-Marlborough-Torii Ltd. seems prepared, as its Japanese president, former Adman Tatsuya Torii, put it, to "bring internationalism to the Tokyo art market once and for all." This will not make the intruder popular. But then, Marlborough has never made a virtue of popularity. It is -as exasperated rival dealers are wont to point out-the General Motors of the art world...
...Corp.; Tadashi Arita, The Fuji Bank, Ltd.; Tatsuro Goto, Mitsui & Co., Ltd.; Nobuya Hagura, Dai-Ichi Kangyo Bank; Akira Harada, Matsushita Electric Industrial Co., Ltd.; Shoji Kambara, Ricoh Co., Ltd.; Kiyoshi Kawashima, Honda Motor Co., Ltd.; Kaoru Kobayashi, Institute of Business Administration and Management; Kazutoyo Komatsu, Trio Electronics, Inc.; Tatsuya Komatsu, Simul International, Inc.; Masao Kunihiro, Kokusai Shoka College; Teiji Makikawa, Fujitsu Ltd.; Isao Makino, Toyota Motor Sales Co., Ltd.; Jiro Mayekawa, Teijin Ltd.; Yohei Mimura, Mitsubishi Corp.; Masafumi Misu, Hitachi, Ltd.; Rihei Nagano, Kubota, Ltd.; Yoshio Narita, Yamaichi Securities Co., Ltd.; Yoshiro Neo, Sumitomo Shoji Kaisha, Ltd.; Saburo Oyama...