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...there is one area of promise: angel investing, which in the past has also been known as investing with friends, family and fools. If you ever cut Cousin Lou a check to finance his tattoo parlor, you know what I mean. But angel investing has come a long way in recent years, enabling well-heeled and business-savvy investors to get a meaningful stake on the ground floor of a variety of promising start-ups. Although Cousin Lou may tempt you with free tattoos (think of the possibilities), you can get stakes in a dozen or so new companies vetted...

Author: /time Magazine | Title: Investing: How to Be an Angel | 8/25/2003 | See Source »

...missed out completely on the right of every growing child: pissing off my parents. So last week, at the still-teenage age of nineteen, I cut out of work a bit early, went to an East Village tattoo parlor, and had a little “work” done...

Author: By Michael A. Mohammed, | Title: A Piercing Commentary | 8/15/2003 | See Source »

Then I called my dad and told him I got a tattoo, a “tribal band” around my upper right arm, exactly the kind of thing he really, really hates. He told me I was dead when I got home and hung...

Author: By Michael A. Mohammed, | Title: A Piercing Commentary | 8/15/2003 | See Source »

Lynn Bradach began noticing tattoos on her son Travis Bradach-Nall's body when he was 17, and she was not amused. When he returned home one day with yet another design on his back, she initially refused to look at it. But she relented, and saw a heart stretching from shoulder to shoulder with the word Mom written inside. Her son explained it was because she was always on his back. In 2000, after graduating from high school, Bradach-Nall surprised his mother again when he joined the Marines. His unit entered Iraq in March. In May Travis gave...

Author: /time Magazine | Title: Iraq: 7 Days 7 Deaths | 7/21/2003 | See Source »

According to Jari A. Villanueva, a bugler and bugle historian who was the curator of the Taps Bugle Exhibit at Arlington Cemetery from 1999 to 2002, Butterfield did not compose “Taps” but merely revised Scott’s “Tattoo,” an earlier bugle call. Villanueva makes a compelling case for why Butterfield would have been familiar with the version of “Tattoo” to which “Taps” is very similar...

Author: By Kate L. Rakoczy, | Title: Tapping the Heartstrings | 7/3/2003 | See Source »

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