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...style?"The main thing is to keep the audience awake," she said of her craft?won awards and critical raves for astute, rich performances over her 60-year career; in Lenox, Massachusetts. She got her break in 1951 as a passionate Italian-American widow in Tennessee Williams' The Rose Tattoo, for which she won a Tony Award. Later she created roles in such Neil Simon plays as Plaza Suite, and won an Oscar for her portrayal of anarchist Emma Goldman in the 1981 film Reds...

Author: /time Magazine | Title: Milestones | 3/20/2006 | See Source »

...style--"The main thing is to keep the audience awake," she said of her craft--won awards and critical raves for astute, rich performances over her 60-year career; in Lenox, Mass. She got her break in 1951 as a passionate Italian-American widow in Tennessee Williams' The Rose Tattoo, for which she won a Tony. Later she created roles in Neil Simon plays like Plaza Suite and won an Oscar for her portrayal of anarchist Emma Goldman in the 1981 film Reds...

Author: /time Magazine | Title: Milestones Mar. 27, 2006 | 3/19/2006 | See Source »

...been through with the war on terrorism and the war in Iraq.” With a grin, Wheeler maintains that he’s still the fun-loving guy that all his friends knew in college, but just has significantly less time to party these days. SILENT SERVICEUnlike tattoo-clad Delany, Joseph K. Cooper ’07 tends to refrain from advertising his past military service. After high school, Cooper’s lackluster academic performance made him think that a college education may not be the best next step. He enlisted in 1998 and spent four years...

Author: By Alyssa N. Wolff, CRIMSON STAFF WRITER | Title: Smart Kids With Smart Bombs | 3/15/2006 | See Source »

...Matrix” and 80’s-era Madonna, with a bit of gothic teen thrown in. Men are shirtless whenever possible, and Molly Ward who, in a bit of cross-gender casting plays Benvolio, wears a white sports bra and a full-torso tattoo. Another of the better departures from the original script is having the characters fight with knives and fists. Choreographed by Rod Kinter, this change gives the fight scenes a kinetic brutality that sword fights lack. There is less immediate logic behind the dance sequence at the Capulets’ party, which is easily...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: The Bard Reloaded and Remixed with Gothic Twist | 2/20/2006 | See Source »

...he’s the reason we’ll do whatever is necessary to sneak our way into Debauchery, but we won’t walk to Lavieties on Friday for one of the most memorable Princeton games in years. You didn’t need a tattoo to watch Harvard lose on a last-second bucket, thank you very much...

Author: By Malcom A. Glenn, CRIMSON STAFF WRITER | Title: THE MALCOM X-FACTOR: Take the Plunge, Harvard Faithful | 2/16/2006 | See Source »

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