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...Actress Tatum O'Neal has switched from pitching Bibles with her father Ryan O'Neal in Paper Moon to pitching baseballs for Coach Walter Matthau in the forthcoming movie The Bad News Bears. Tatum, who these days fancies stepping out to parties in long gowns with superfluous decolletage, doesn't much care for her film costume: a Little League baseball suit. "It's suffocatingly hot," she complains. Furthermore, she isn't interested in baseball, and had to have coaching by Papa Ryan before she could get the ball across the plate. Even worse, when...

Author: /time Magazine | Title: People, Oct. 20, 1975 | 10/20/1975 | See Source »

Young Country is a bicentennial musical for children with an execrable script, quite good songs and a very competent cast from Boston area high schools. Richard Williams steals the show as a foppish John Hancock (who just adored the Tea Party); Roger Kabler seems destined to be the next Tatum O'Neal and sings louder than anyone else in the cast; and the play boasts in the title role of Paul Reverse the son of Governor Dukakis...

Author: By Ta-kuang Chang, | Title: Syphilitic Vaudeville | 10/9/1975 | See Source »

...Frank Sinatra, Charlton Heston and Joseph Cotten, Welles was the picture of graciousness. "What I feel this evening is the opposite of emptiness," he said, as he accepted the award "in the name of mavericks everywhere." Then he dandled on his knee another enfant terrible and early Oscar winner Tatum O'Neal saying "You're terrific...

Author: /time Magazine | Title: People, Feb. 24, 1975 | 2/24/1975 | See Source »

...cued only by instinct, his colleagues joined him: the genial Heath, eyes closed, his fingertips lightly brushing the strings, while Kay, the pulsemaker, fabricated a succinct beat ornamented by miniature percussive effects-rippling wind chimes. Jackson's keyboard work at the vibes, reminiscent of Art Tatum's quicksilver piano, provided the melodic keystone...

Author: /time Magazine | Title: Music: Gentlemen of Jazz | 12/9/1974 | See Source »

...song. A single event at the Roseland Ballroom, for example, will offer both the sophisticated big-band arrangements of Harry James and the Latin style of Tito Puente. At Carnegie Hall, Pianist Keith Jarrett will spin forth some of the most elegant, technically proficient, classically tinted jazz since Art Tatum. On another night, Vibraharpist Lionel Hampton and Pianist Teddy Wilson will mix it up with Drummer Buddy Rich and Bassist Milt Hinton in what should be a vital remembrance of the swing...

Author: /time Magazine | Title: Music: Improvising on the Beat | 7/8/1974 | See Source »

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