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Word: tautly (lookup in dictionary) (lookup stats)
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...blighted Wolfe, Breathitt, Knott, Harlan and Letcher counties, halting in hidden hollows at weather-bleached wood and tar-paper shanties sagging with neglect. And in spavined one-horse communities named Neon, Grassy Creek, Mousie, Fisty, Jackhorn and Cody, ragged, slack-eyed men and women and listless children with bellies taut from hunger spoke of their need...

Author: /time Magazine | Title: Poverty: Misery at Vortex | 2/23/1968 | See Source »

...final goal came 70 seconds later: Dick Toomey hit the upper left corner fed by Mike Hyndman's pass. It was the only crisp goal of an evening, as Harvard had relaxed its taut coverage...

Author: By Robert P. Marshall jr., | Title: B.U. Stops Harvard To Win Beanpot Title | 2/13/1968 | See Source »

...Berlin Radio Symphony's Lorin Maazel, 37, an American, survived a widely publicized career as a child prodigy. Taut and serious, gifted with a computer memory for scores, he can stamp his identity on musicians and audiences alike, though the identity is sometimes too cool and cerebral. At best, his precise, literal readings, etched sharply with the point of his metronomic baton, have clarity, balance and compelling strength...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

Once settled in carpeted luxury on the extrawide, foam-cushioned seats, spectators were treated to views unencumbered by pillars, thanks to the structure's 407-ft., rafter-free span that is suspended by taut cables resembling the spokes of a bicycle wheel. With the Forum's time already booked for 200 days in 1968, Cooke could finally relax, proclaim his new sports palace "a timeless place, something a man can be proud...

Author: /time Magazine | Title: Modern Living: ARENAS: Better Break for the Fans | 1/5/1968 | See Source »

Until then, The Stranger is an exceptionally taut, abrasive film. But with Meursault awaiting the guillotine, the action of the book-and the movie-moves inside his mind. The camera is left staring at Mastroianni while his voice on the sound track soliloquizes on life, death and the meaninglessness of it all. The sequence is faithful to what Camus wrote, but it is a shame that Visconti could not have found a more cinematic way of getting it across in a film whose power otherwise almost matches the book that inspired...

Author: /time Magazine | Title: Cinema: The Stranger | 12/29/1967 | See Source »

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