Word: taverner
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Henry IV Part I is not just about wars, Elizabethan society or how wisdom can come from as unlikely a place as a tavern named the Boar's Head or from as unlikely a character as the greedy, lusty, lazy, altogether charming Falstaff. It is about how a prince becomes a king, or, even more basically, how a boy grows up. The skill of Loeb director George Hamlin will be revealed this weekend by how successfully he welds all the wicked intrigues, the plots and counterplots of the smaller scheme of things into this larger theme. Performances begin next Wednesday...
...device failed to go off-brought to 65 the total of known bombings since 1974 by the Armed Forces of National Liberation of Puerto Rico in Chicago, Washington, D.C., and Newark, as well as in New York. The worst outrage: a 1975 lunchtime bombing of Manhattan's Fraunces Tavern that left four dead. Searching for reasons why the F.A.L.N. bombers have been able to persist, TIME Correspondent James Willwerth interviewed a former terrorist from a similar Puerto Rican independence group. Willwerth's report...
...automobile, often requesting to drive; wake their owners in the middle of the night with loud snoring and blowing bubbles in the toilet bowl; are first to their master's bed and never give up the pillow; and when you take them down to the local tavern for a beer, they drool in their Budweiser...
...brogue to keep you company. It may be hereditary (no one, not even Captain Kangaroo, has fully explored the properties of green genes), ethnocultural (Daniel Patrick Moynihan, the noted ethnicist and cream-pie connoisseur, spent a good part of his early life treading the boards at his mother's tavern in Hell's Kitchen), or just environmental (Euell Gibbons used to mix terrible daiquiris, they say). Whatever, it's a scientific fact that Irishmen make the best bartenders...
Henry IV Part I is not just wars or Elizabethan society or how wisdom can come from as unlikely a place as a tavern named the Boar's Head or from the mouth of as unlikely a character as the greedy, lusty, lazy, altogether charming Falstaff. It is basically how a prince becomes a king or, even more basically, how a boy grows up. By the time Shakespeare's play opens at the Loeb December 11, the skill of director George Hamlin will probably have worked to weld all the wicked plots and counterplots of the smaller schemes of things...