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Considering that Woyzeck was selected, cast, staged, and opened in something short of two weeks, Mayer has done an extraordinary job with the staging. Concentrating most of his efforts on the set-pieces (the long, crowded scenes in the tavern), he lets his talented cast fend for themselves in the shorter dialogue scenes with little blocking to guide them. The balance is really nice, particularly in the second half when Woyzeck becomes a blend of introspective horror, and Mayerian theatricality...

Author: By Tim Hunter, | Title: Woyzeck | 8/19/1966 | See Source »

...what was good enough for me is good enough for you" feeling: On the Boston Common, one elderly man shouted out, "I've fought before and I'll fight again." And another man, standing in front of Donovan's Tavern in South Boston, yelled "Have you guys ever been in slit trenches. . ." There was resentment over the unwillingness to serve, and a feeling that the marchers should be allowed to escape a common duty...

Author: By Robert J. Samuolson, | Title: "We Don't Ask Police For Protection" -- Tale Of CNVA's Peace Walk | 8/12/1966 | See Source »

Most people were either apathetic or hostile toward the march. In front of Donovan's Tavern in South Boston, one man shouted...

Author: By Robert J. Samuelson, | Title: Pacifists Attacked on the Third Day Of March from Boston to the Cape | 8/9/1966 | See Source »

Goodwill Arson. It took only a small spark to ignite Hough. Early one evening, the bartender in a sleazy, white-operated tavern called The 79ers refused to give a glass of ice water to a Negro, who then ran angrily into the street shouting the news to his street-corner cronies. A muttering crowd gathered outside the bar, stormed the place, and wrecked it. The rampage was on. Chanting "Black power! Black power!", hundreds of Negro hoodlums charged up and down the streets, smashing and looting white-owned shops at will...

Author: /time Magazine | Title: Races: The Jungle & the City | 7/29/1966 | See Source »

...Boar's-Head Tavern, Mistress Quickly (Jan Miner), in an orange and yellow-green costume, sports an appropriately fiery head of red hair, but is otherwise forgettable. The tart-tongued tart Doll Tearsheet (Alix Elias), dark-haired and rouge-cheeked, has only her low neckline to recommend her; the monotonous and whining voice with which she delivers all her lines is painful beyond belief...

Author: By Caldwell Titcomb, | Title: The Stratford Shakespeare Festival | 7/5/1966 | See Source »

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