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...Dunaway (Kathleen Stanton) turns the directional restraint into stiffness. Especially in the first act her voice is tense, her gestures mannerd. The well-born Irishwoman who left "God and country" for a tavern-keeper might have some residual hauteur, but she certainly wouldn't be cold. Only in her death scene at the end of the play does she loosen up, and become passionate enough to assert her role...

Author: By George H. Rosen, | Title: Hogan's Goat | 11/4/1965 | See Source »

...political oratory and tall talk ("Bust me wide open if I didn't bulge into the creek in the twinkling of a bedpost, I was so thunderin' savagerous"). It spilled over in the invincible optimism with which new towns called themselves cities, hotel was any flea-bitten tavern, and opera house meant any public hall, with or without a roof...

Author: /time Magazine | Title: Books: Growth of Identity | 10/1/1965 | See Source »

Take, for example, former Boston Agent John W. Harris, who served for 16 years with the IRS before he became one of some 100 agents indicted for bribery over the past two years. Harris told the subcommittee that in 1963 his unit suspected a Milton, Mass., tavern owner named Bernard McGarry of tax evasion, and that for six weeks IRS men watched McGarry's house with "sniperscopes"-a World War II vintage infra-red telescope that allows an observer to see 175 yds. in the dark, and "snooperscopes," a smaller version with a range of 30 yds. Harris said...

Author: /time Magazine | Title: Investigations: Your Friendly Tax Collector | 7/30/1965 | See Source »

Comrade Leonard Makepeace is a provincial bicycle mechanic with a passion for the Marxian notion that man (and society) is perfectible on earth. This passion he dissipates happily in tavern talk until he meets a delectable but distant schoolmistress from Lenin grad. Rejected in love, he goes after power and one day discovers in a volume of Indian theosophy the technique of "mental magnetism." He realizes he can make anybody do anything...

Author: /time Magazine | Title: Books: Notes from Underground | 7/30/1965 | See Source »

HENRY IV, PART I & HENRY IV, PART II (Caedmon). There are those who believe that Falstaff is the greatest comic character in English literature, and these recordings will not disappoint them. Anthony Quayle's voice combines the tavern-soaked grossness of "fat Jack" with the agile wit and arrogant flair of Sir John. Michael Redgrave as Hotspur seems at times to get only false teeth into the part...

Author: /time Magazine | Title: Television: May 14, 1965 | 5/14/1965 | See Source »

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