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Poet, a late and lesser play of O'Neill's, is a sort of Iceman Crumbleth set in 1828. The Irish emigrant hero is an impoverished Massachusetts tavern keeper adrift on booze and Byronism, who rages at wife, daughter (Jeanne Hepple) and creation. Actor Denholm Elliott buries the poet in a rubble of rant, and the cast mouths more different brogues than there are counties in Ireland. As for Noel Coward's brittle trio of one-acters, time has partly damaged them, and this butter-fingered troupe completes...

Author: /time Magazine | Title: Theater: Amateur Nights | 5/12/1967 | See Source »

...eyes our screen goes black until he opens them. Equally well integrated into the film's conventions are certain conspicuous parts of the sound track, as when Leopold Bloom (Milo O'Shea) hears a cuckoo clock chanting "Cuckold! Cuckold! Cuckold!" or some barnyard noises Bloom hears in a tavern, when a greasy slab of meat falls from the gob of a man sitting near...

Author: By Jeremy W. Heist, AT THE MUSIC HALL THROUGH THURSDAY | Title: Ulysses | 5/2/1967 | See Source »

...chair, he cried: "I am Jesus Christ!" Moments later, a pellet of potassium cyanide was dropped into a solution of dilute sulfuric acid, and blowers began sucking the lethal gas upward. Within twelve minutes, Aaron Mitchell, 37, who was convicted of slaying a Sacramento policeman during a 1963 tavern holdup, was dead. He was the first man to be executed in California in four years and the first in the U.S. this year...

Author: /time Magazine | Title: Crime: Stirrings on Death Row | 4/21/1967 | See Source »

...Chicago court gave up two weeks ago, after five weeks of impaneling in the murder case of Robert Lassiter, charged with starting a tavern fire that killed 13 people. With only eight jurors picked, the defense successfully moved for a bench trial without jury...

Author: /time Magazine | Title: Juries: All Deliberate, Little Speed | 3/24/1967 | See Source »

...Chitlins to Champagne. No one is more dazzled by the sudden mass acceptance of the Rawls style than Rawls himself. Only four months ago, he completed what he hopes was his last engagement on the "chitlin circuit"-a string of small Negro nightclubs such as Cleveland's Corner Tavern, San Francisco's Sugar Hill, St. Louis' Riviera. In most of them, the singer perches on a dime-sized platform above the bar and tries to make himself heard above the jingle of the cash register and the jangle of the audience. And it was in just such...

Author: /time Magazine | Title: Singers: Soulin' & Sweet-Talkin' | 1/27/1967 | See Source »

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