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...Late Mattia Pascal and the play Henry IV. Both movies offer aspects of the basic Pirandello theme, in which the universe is a carrousel whirling off its moral axis, and man's ego is a mask that conceals a gaping void. In their entrancing new film, Paolo and Vittorio Taviani have revived a less familiar Pirandello: the compulsive storyteller, spinning tales about his native Sicily, its stern landscape and elemental passions. Kaos dramatizes four of the short fictions Pirandello collected in his 15-volume A Story for Every Day in the Year. Three (The Other Son, The Jar and Requiem...

Author: /time Magazine | Title: Cinema: Folk Artistry | 6/21/2005 | See Source »

...Lost Soldier" is not particularly profound, but it remains a marvelous film. Its elegiac and celebratory quality is reminiscent at times of the Taviani Brothers' "The Night of the Shooting Stars." Kerbosch has carefully adapted Rudi van Dantzig's autobiographical novel into a sensitive, lyrical film, resonant with truth and the burnished memory of a first love...

Author: By Joel VILLASENOR Ruiz, | Title: 'Soldier' Makes Love, Not War | 2/3/1994 | See Source »

...Night of the Shooting Stars. In 1944, a score of Tuscan villagers flee from the Nazis into a landscape of nightmare poetry. Italian Film Makers Paolo and Vittorio Taviani find aspects of nobility in every eccentric peasant...

Author: /time Magazine | Title: Cinema: THE BEST OF 1983: Cinema | 1/2/1984 | See Source »

PAOLO AND VITTORIO TAVIANI'S The Night of the Shooting Stars has all the qualities of a wonderful folktale--at once pungently earthy and dreamily fantastic. It unfolds to the leisurely rhythms of its own peculiar inner life and logic. It's a magical film, where the horrors of war, the crude beauty and humor of everyday existence, and the wonder of childhood all intersect in a flash of dream and memory...

Author: By Jeen-christophe Castelli, | Title: Italian Fireworks | 3/7/1983 | See Source »

Since their first feature film in 1962, the brothers Paolo and Vittorio Taviani have explored the themes and feelings of the Italian left. But their work is no forced march of socialist stereotypes. Like the characters in the Tavianis' Allonsanfan and Padre Padrone, the people of San Martino never surrender their luxuriant individuality. One young woman with a large birthmark on her cheek and a mischievous smile in her eyes tells a virginal girlfriend: "You don't know what it's like to be ugly and still feel beautiful." An angel-faced teen-age boy, whose ardor...

Author: /time Magazine | Title: Cinema: A Grisly Bedtime Story | 2/21/1983 | See Source »

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