Word: tavianis
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Directed and Written by Paolo and Vittorio Taviani...
Padre, Padrone. Paolo and Vittorio Taviani's entrancing film about the loam-to-letters life of a bestselling Sardinian author from humble peasant origins provides the most convincing evidence since Bertolucci's "Last Tango in Paris" of the resilient vitality in Italian cinema, the recent excesses of Fellini, Antonioni, et al notwithstanding. The Taviani brothers' first film to receive international attention, it features a host of mind-gripping sequences destined to set apart "Padre, Padrone" as one of the most important films to cross the Atlantic in the late 1970s. To name only two: the unforgettable series of shots capturing...
Padre, Padrone. Paolo and Vittorio Taviani's entrancing film about the loam-to-letters life of a bestselling Sardinian author from humble peasant origins provides the most convincing evidence since Bertolucci's "Last Tango in Paris" of the resilient vitality in Italian cinema, the recent excesses of Fellini, Antonioni, et al. notwithstanding. The Taviani brothers' first film to receive international attention, it features a host of mind-gripping sequences destined to set apart "Padre, Padrone" as one of the most important films to cross the Atlantic in the late 1970s. To name only two: the unforgettable series of shots capturing...
Paolo and Vittorio Taviani's Padre, Padrone presents an unflinching look at the true story of Gavino Ledda's very personal struggle to overcome the domination of the intractable patriarch who denied him any opportunity for an education--a struggle which results in his becoming a linguist and bestselling author. So much for the basic plot. But this triumphant movie, the first internationally acclaimed Taviani brothers film, can be approached on two other levels--one structural, the other more stylistic. In one sense, Padre, Padrone develops within a movie-as-book format; based on Ledda's autobiography, the film...
...ANOTHER LEVEL, Padre, Padrone is an earthy chronicle of an event. The directors never romanticize anything or anybody, least of all the virtues of peasant life in the hinterlands. If anything, the Taviani brothers flirt with the danger of caricaturing the figure of Efisio Ledda, a self-conscious Sardinian rebuke to the Tolstoyan idealization of the muzhik. And it is the very bluntness of the portrayal of the patriarch's tyranny that reveals the directors' background in documentaries. The father's capacity for sadistic fury knows no bounds in disciplining his eldest son: Efisio is a petty and mean-hearted...