Word: tawaraya
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...relationship between the size of Koetsu's work and the scale of his cultural resonance. These tiny, fugitive-looking images, in which luminous fragments of nature--pines bowing before a wind, the undulation of a flock of cranes--were painted in colored inks on handmade paper by his collaborator Tawaraya Sotatsu and then written over by Koetsu, have acquired, for Japanese taste, the sort of cardinal importance that a fresco cycle or an altarpiece might have for ours. Koetsu's work, given the accumulated Japanese reactions to it, is perhaps the ultimate example of the power of the small...
...relationship between the size of Koetsu's work and the scale of his cultural resonance. These tiny, fugitive-looking images, in which luminous fragments of nature?pines bowing before a wind, the undulation of a flock of cranes?were painted in colored inks on handmade paper by his collaborator Tawaraya Sotatsu and then written over by Koetsu, have acquired, for Japanese taste, the sort of cardinal importance that a fresco cycle or an altarpiece might have for ours. Koetsu's work, given the accumulated Japanese reactions to it, is perhaps the ultimate example of the power of the small...
Which is not to say that the Edo period lacked individual artists who were seen, then and now, as stars. Its core achievement, in painting, was the allusive and delicate work of the so-called Rimpa artists: Tawaraya Sotatsu and Hon'ami Koetsu in the 17th century, and later the brothers Ogata Korin and Ogata Kenzan, Sakai Hoitsu and others. The show abounds in their work, especially the large folding screens that were Japan's closest equivalent to Western murals. Hoitsu (1761-1828) is represented by one of his finest screens, Flowers and Grasses of Summer and Autumn, in which...
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