Word: taxidermist
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...getting harder and harder to find a good taxidermist these days," says John Anglim, chief of exhibits at Washington's Smithsonian Institution. "Young people just don't go into this field any more." For the Smithsonian-which normally employs six taxidermists-and for other U.S. museums there is good news: an inexpensive, do-it-yourself process that may make the taxidermist's knife and needle as obso lete as a black snake's cast-off skin...
...nightmare that follows is expertly gothic, but the nausea never disappears. Little should be said of the plot-Hitchcock enjoins all viewers to be silent-except that Anthony Perkins, who plays an amateur taxidermist, is sickeningly involved, and that a blow is dealt to mother love from which that sentiment may not recover. Director Hitchcock bears down too heavily in this one, and the delicate illusion of reality necessary for a creak-and-shriek movie becomes, instead, a spectacle of stomach-churning horror...
...brash, noisemaking ten-year-old, he lived in a world full of wonders; as a teenager, he seems gross and unimaginative. Maggie Cassidy was taken, like most of Kerouac's recently published books, from an apparently limitless attic filled before On the Road appeared. For the literary taxidermist, such finds can be profitable. "In the bleak, birds squeak," the Beat One interjects during a soliloquy. This specimen, with its weird vein of Gertrude Stein, should be stuffed, mounted, labeled, and sent to the Smithsonian Institution...
Died. Fred Sauter Jr., 86, taxidermist who stuffed the head of the bison on the buffalo nickel, and whose shop on Manhattan's Bleecker Street once delivered 125 neatly packed rats for a movie version of The Pied Piper of Hamelin, also provided the stuffed white Peking ducks that were passed off as seagulls when Ethel Merman blazed away at them in Annie Get Your Gun; in Mineola, L.I. Sauter was a taxidermist of the old school, a conservative who preferred to let his subjects keep their own skulls...
...turn-of-the-century London waxworks, Redhead casts Gwen as Essie Whimple, a mouse-humble cockney-accented taxidermist of crime sensations. When the wax cools on her tableau of a purple-scarf murder before the clues do, and the strangler begins stalking her, poor Essie hides out as a showgirl with a neighboring theatrical troupe. For Essie, a spinster of 29, whose lips have never touched liquor, cigarettes or men, the greatest thrill is to be close to the show's American strong man (Richard Kiley). The problem: who will get whose man first-Scotland Yard or Essie Whimple...