Word: taxies
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Dates: during 1930-1939
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...with his sick wife for several weeks, making his way furtively out of the house through the dim-lit service entrance. With him was his alert, dark-haired son, who had just arrived from the U. S. The son carried a small handbag. In the street they hailed a taxi, vanished into the night...
...taxi driver took them to the Gare de Lyon. They caught the midnight express for Italy. Early the next day they were across the border, whizzing through mountains among which run great electric power lines. Ivar Kreuger passed through that countryside many times on his trips to Rome for secret transactions. Alfred Lowenstein played financial chess writh Italian power projects until he plunged from an airplane into the English Channel...
...just a practical marriage, and has been made miserable with specters and names from Elena's glamorous history. Then the relicts of the Hapsburg Court return, some from London millinery shops, others from managing positions in Swiss boarding houses, and as piece de resistance comes Prince Rudolph from his taxi business to revive memories in Vienna and to toy with champagne on a pauper's holiday. Elena is attacked by severe nostalgia and goes to the party, confronts the irrepressible Rudolph, and so Love bursts the bonds of home courses in applied psychology and sweeps all before...
...marriage annulled, ended it by divorce after 17 months. Her sisters, Polly Ann Young and Sally Blane, are cinemactresses. Loretta Young got her first job when a director called up Polly Ann. Under five-year contract to First National, she has had increasingly important roles in The Riding Voice, Taxi, The Hatchet Man, Play Girl. Appealing modulation of voice and manner, decorous softness of demeanor are Cinemactress Young's chief characteristics on the screen; she attributed them in part to her schooling in a Los Angeles convent. The fluffiness of her brown mop she attributes to her habit of shampooing...
...Institute's $500 scholarships last year for study at Fontainebleau. He figured music buildings brought him luck. He figured further that the main problem of an opera house was to get the people in and out quickly. Concentrating on the cloak rooms and taxi driveway, he drank gallons of black coffee, slept on the floor of his cubicle, drew and erased with furious care. There is no telephone in the Bronx home where Finalist Granelli lives with his father, an Italian mosaicist. But last week he got a telegram. He thought the judges, including Architects Ely Jacques Kahn...