Word: taxis
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...this for New York in the mid-'70s: from its desperate blight emerged some pretty sharp movies. Back then, children, Hollywood was actually interested in reflecting contemporary society, and this poster child for urban dystopia provided the perfect setting. A raft of films - Serpico, Death Wish, Dog Day Afternoon, Taxi Driver - navigated that stinky Styx with the expertise of a champion white-water rafter. A lesser but still pertinent entry was The Taking of Pelham One Two Three, which starred Robert Shaw as the criminal mastermind and Walter Matthau as the transit detective trying to talk...
...dinner in the dining room. (If the scene looks familiar, you may remember it from the 1980 Jane Seymour-Christopher Reeve film Somewhere in Time, filmed at the hotel.) There are no cars allowed on the island, so you'll have to get around by foot, horse-drawn taxi or bicycle (available for rent at the hotel or on the island starting at $4 per hour; or bring your own on the ferry over). Right now the 122-year-old hotel - voted one of the world's best in 2009 by Travel & Leisure - has an early summer special...
...While I am heading back to the hotel in a taxi, one of Bangkok's countless motorbike taxis weaves erratically through the traffic. A young woman rides sidesaddle behind its rider, and I flinch at the potential for tragedy. There was a complete scooter on display in the museum, and Gautier had informed me that every single component - tires, brakes, fuel tank and all - had been manufactured on the sly. As the taxi veers east onto Sukhumvit Road, the traders are busy erecting their stalls for another evening of busy commerce. But me? Tonight I'll hole...
...Africa's racist regime. But this time, does it matter? The writing is on the Palestinian side, and the only Israelis who see it are soldiers patrolling in humvees. And as Van Oel points out, the Israelis aren't the only ones the messages are aimed at. "A Palestinian taxi driver once told me that he likes the writing on the wall, even though he can't read it," he says. "He's reassured that Palestinians haven't been forgotten by the outside world...
...start of the modern era was particularly good for Italian and American cinema: Italian films took home the award four times straight, from 1966 to 1972, and twice again in 1977-78. Italian-American heavyweights Martin Scorsese (Taxi Driver, 1976) and Francis Ford Coppola (Apocalypse Now, 1979) took the glory for the U.S. and even Bob Fosse joined in at the start of the 1980s with All That Jazz. But critics would snipe that truly great films (and directors) were being overlooked: there would be no Cannes love for Rainer Werner Fassbinder (Ali: Fear Eats the Soul),Werner Herzog (Every...