Word: taymor
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Dates: during 2000-2009
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...real-life Broadway crowd, The Producers is a gift from the show-biz gods. For years, most of the street's big musical hits have been operatic British imports. The Lion King was a great homegrown boost, but Disney and Julie Taymor were, and still are, outsiders. The Producers is a product and a celebration of the kind of musical-comedy showmanship that doesn't exist much anymore. "It's as if this is that one last musical from the 1950s, and everybody forgot to produce it," says one of the show's producers, Tom Viertel. "And now here...
...AIDA Disney faces a Lion King problem--how can anything measure up?--but this kid- friendly version of the opera, with Elton John and Tim Rice replacing Verdi, has pleasures aplenty. Heather Headley is a knockout, and Bob Crowley's inventive sets will do until the next Julie Taymor comes along...
...this fractured fairy tale for adults, based on a Carlo Gozzi fable, The Lion King's Julie Taymor again shows why she's the theater's champion beguiler. Characters wear silvery masks with oversize jowls and noses; there are singing apples, floating skulls, talking statues, a soothsayer who channels old radio jingles, and a traffic jam performed by actors with '50s sedans on their heads. Taymor's liberating stage ideas, rendered with elegant simplicity, are a wonder...
...Broadway tryout of Elaborate Lives: The Legend of Aida, Disney's musical retelling of the tale of ancient Egypt that was the basis for Verdi's famous opera. The pyramid opened, it closed, it transformed itself into different sets. It seemed a suitably dazzling follow-up to Julie Taymor's innovative production of The Lion King, Disney's Broadway hit. The trouble was it didn't work, at least not very often. "Every time I saw the show, it broke down," says composer Elton John. "It got on the cast's nerves. It dragged everybody down...
...Stiller, who acts, directs, writes and for all we know works as a U.N. peacekeeper on weekends, explores "What Will Make Us Laugh?" Two artists, musician Moby and director Julie Taymor, offer radically different visions of their world, with Moby turning us all into composers and Taymor predicting that what we will really crave in 2025 is the wild, exhilarating experience of leaving behind our computers and TVs on a Saturday night and going to...the theater. "Artists were especially turned on by our assignment," Zoglin says. "They love grappling with the question of how technology will...