Word: taymor
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...sound track to a '60s love story splashed on a canvas of social upheaval: race riots, student unrest and draft resistance. What did the four fab Englishmen have to do with all these American crises? We have no idea, and neither does the script. But director Julie Taymor is a picture magician, weaving the fine old songs into a psychedelic tapestry of animation and choreography...
...peripatetic week. On Tuesday I saw my last two features at the Venice Film Festival. On Wednesday I flew back to New York, and that evening I caught a screening of Julie Taymor's Beatles movie, Across the Universe. Yesterday I got to Toronto, where my first movie was the Jodie Foster revenge drama The Brave One. Today, wearing my two Toronto press badges along with the one I brought from Venice (just to show off) and my TIME ID, I'm sporting more bling than P. Diddy...
...Tony-winning Broadway musical, which was itself a showy take on the 1988 John Waters cult film about teens in a dance contest in Civil Rights-era Baltimore. Fall brings Across the Universe, a 1960s love story set to Beatles songs, directed by The Lion King's Julie Taymor, with a cast including Evan Rachel Wood and Bono. And at year's end, just in time for Oscar season, comes Tim Burton's Sweeney Todd, starring Johnny Depp as the murderous barber in an adaptation of Stephen Sondheim's musical thriller...
...under the direction of Peter Gelb, seems to have gone movie-mad this season. Movie-director mad, anyway. Zeffirelli, the opera and film visionary, has four productions on the season's schedule: La Boheme, Tosca, La Traviata and Turandot. Julie Taymor ? best known for her Lion King on Broadway but also director of the films Titus, Frida and the forthcoming Beatles pastiche Across the Universe ? has condensed her zazzy Zauberflote, which premiered at the Met in 2004, into a 100min., kid-friendly Magic Flute. And Anthony Minghella (The English Patient, Cold Mountain, the current Breaking and Entering) did a rapturously...
Children's theater got a major boost in the mid-'90s with the arrival of Disney on Broadway--particularly Julie Taymor's groundbreaking show The Lion King. The show not only proved that so-called children's theater could draw huge family audiences (it has raked in more than $1 billion from its Broadway and worldwide touring companies) but also expanded the vocabulary of the stage, embracing everything from puppetry to African dance. Everywhere in the culture, meanwhile, children's entertainment is crossing over to adult audiences and gaining mainstream cachet, from Harry Potter books to Pixar animation. London...