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...prize at Cannes, then earned nearly $75 million on domestic screens (plus $86 million abroad), and won the brothers three Oscars, including for Best Picture. Such Academy-nominated hits as L.A. Confidential and Eastwood's Mystic River also got snubbed on the Côte d'Azur; and Brokeback Mountain was actually rejected for the festival competition. So, for ambitious American movies, getting canned at Cannes may be more a good-luck charm than the kiss of death...

Author: /time Magazine | Title: It's a Wrap at Cannes | 5/29/2008 | See Source »

...Pierre Schaeffer debuted the first piece of musique concrète in Paris, creating new avenues for music that have been explored over the last 60 years. The concerts celebrated the anniversary of this event, showcasing some of the most important works that have been inspired by these original experiments...

Author: By Chris R. Kingston, CONTRIBUTING WRITER | Title: Playing the Music Electric in Paine Hall | 3/13/2008 | See Source »

...basic premise of musique concrète is to make music that combines “real” sounds recorded in the everyday world with tape effects to create a dense, atmospheric work of art. The related discipline of electroacoustic music often involves a live performer, but they are simply one part of the mix alongside the pre-recorded sounds. New playing techniques and strange harmonies are blended in to stretch the music even further. Melodies and rhythms are buried deep and are often extremely difficult to find. In short, this is not the music you will be tested...

Author: By Chris R. Kingston, CONTRIBUTING WRITER | Title: Playing the Music Electric in Paine Hall | 3/13/2008 | See Source »

...four concerts focused on the work of Karlheinz Stockhausen, a highly influential German composer noted for combining musique concrète with electrical music. Stockhausen, who died in December of last year, was at the forefront of avant-garde music, composing challenging but hugely influential works...

Author: By Chris R. Kingston, CONTRIBUTING WRITER | Title: Playing the Music Electric in Paine Hall | 3/13/2008 | See Source »

...te-ro!” my brother read off the sign we’d approached, articulating every syllable like our own little Roberto Benigni in the back seat. My dad’s brow had grown increasingly furrowed as his high hopes for finding Iacurso gradually plummeted—our quest seemed dead, having found its final resting place at this seemingly private cemetery just off the arid dirt road...

Author: By Francesca T. Gilberti, CRIMSON STAFF WRITER | Title: All Roads Lead to Iacurso | 3/5/2008 | See Source »

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