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...other ways to plug the drain.GOING HOME WITH A MISSION Mariam O. Fofana ’06, a Quincy House tutor and researcher at Massachusetts General Hospital, is a member of the brain gain movement in its most classic sense. Originally from the West African nation of Côte d’Ivoire, she attended high school in Minnesota and concentrated in Biology at Harvard. Côte d’Ivoire’s Ministry of Technical Education and Professional Training provides scholarships to top Ivorian students like Fofana studying abroad, lightening the burden of the expensive tuition...
That's why Chávez seems less than ruffled at being told by King Juan Carlos, "Por qué no te callas?" - Why don't you shut up? - over the weekend at the Ibero-American Summit of Iberian and Latin American leaders in Santiago, Chile. The king got fed up when the Venezuelan firebrand went on one of his rants and repeatedly accused former Spanish Prime Minister José MariaAznar of being a "fascist" who had supported a 2002 coup attempt against Chávez. Chávez later spun Juan Carlos' outburst as a monarchical affront to democracy...
...second quarter: A nice Pizzotti pass over the middle hits TE Jason Miller at the 38. Multiple first downs on the same drive? Wowowowow...
Some observers in the U.S. and Pakistan are still holding out the possibility that Musharraf's main reason for imposing martial law was to rid himself of his bête noir, the "literalist" Supreme Court led by chief justice Iftikar Chaudhry, who is now under house arrest. That tribunal not only posed a danger to the validity of Musharraf's election as president in early October but also to the U.S. deal forged with opposition leader Benazir Bhutto that allowed her to return to Pakistan from exile as a symbol of resurgent democracy. With the persnickety high court "cleansed...
...Eastward with lightly skittering strings backing the evocative melodies of mezzo-soprano guest artist Susan Graham. Graham carried the audience through the emotional narrative suggested in her performance of three poems, Tristan Klingsor’s “Asie,” “La Flûte enchantée,” and “L’Indifférent.” First wistful, then almost conversational, Graham engaged the audience with her poignant renderings of longing and succeeded in creating an air of mystery, although her performance was more suggestive than overtly...