Word: teacher
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Dates: during 1950-1959
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Among the Amuesha Indians, who live near the jungle-bound foothills of the Peruvian Andes, a respected teacher does not get a tribute of apples; she gets worms. Brown-haired, 33-year-old Martha Duff, a Baptist missionary, linguist vacationing at her home in Oral, Tenn. after five years of teaching the Amueshas, recalls: "We were sitting around a fire when several little boys came in. They had found some big fat worms and were about to get into a fight over them. Their mother took over; the worms were put on sticks and left long enough over a fire...
Worms notwithstanding, Teacher Duff plans to end her year-long Stateside furlough this month, fly back to continue educating the Amueshas. Her task: to teach the Indians to read, to transcribe literature-including the Bible-into Amuesha. using a phonetic alphabet she helped devise...
...Worshipers. Base camp for Teacher Duff's job is the jungle outpost of Yarinacocha. Bush planes fly the Tennessee teacher and her partner, Florida-reared Mary Ruth Wise, to the vicinity of Amuesha villages, land on the rivers. From there the journeys are by foot or raft. For three months each year, the women return to Yarinacocha with likely Indian prospects, help turn the natives into teachers. The Peruvian government pays salaries of Indian teachers and helps finance the base settlement, but Teacher Duff and fellow linguists who work with other tribes are supported by Wycliffe Bible Translators...
Died. Doris Humphrey, 63, Illinois-born, Denishawn-trained dancer, teacher and choreographer, who with Charles Weidman formed her own school and company in 1928 (opening what New York Times Critic John Martin soon called "a new chapter in American dancing"), creator of such modern dance masterpieces as The Shakers, With My Red Fires and (for Jose Limon) Lament for Ignacio Sanchez Mejias; of cancer; in Manhattan. Her active career was stopped by crippling arthritis in 1945, but Doris Humphrey went on teaching, organized the Juilliard Dance Theater in 1954. After ten years of preparation, Doris Humphrey's Guggenheim-financed...
Underground Snobbery. As show biz turned to spy biz, the impresario discovered that the dedicated Communists of the Soviet spy apparatus were snobs about money, names and culture. They were not impressed so much by the fact that Musician Morros had been Piatigorsky's first cello teacher as that he had once paid Ginger Rogers $75 a week, and that Bing Crosby and Bob Hope had jostled backstage for a job at Paramount. Also, incredible as it may seem, the Russians were grateful because he had turned down a flesh peddler's offer of Leon Trotsky...