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Word: teatro (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Colgate University, although she already knew she wanted to become a director. Dark-eyed, strong-featured and forceful to a fault, she confesses to being "a born control freak." An apprenticeship with the innovative opera director Jean-Pierre Ponnelle led to her 1986 European debut at Venice's Teatro la Fenice, and her work is now seen regularly at London's Covent Garden and Paris' Bastille Opera, as well as in such American cities as Houston, where her joltingly fresh takes on Puccini's Madama Butterfly and Britten's Billy Budd opened back to back in January...

Author: /time Magazine | Title: Francesca Zambello: Rattling the Cage | 8/3/1998 | See Source »

...passing of her judgment may have been a bit premature, however. Perhaps the character of the symphony did not lend great animation to Gatti's directing. Had he been standing in front of the Teatro Comunale di Bologna, of which he was appointed Music Director in September, he may have exhibited more of the artistry that comes from being "a part of the drama" in conducting an operatic performance...

Author: By Andrea H. Kurtz, CONTRIBUTING WRITER | Title: Devil Inside Mr. Gatti: How to Make an Audience Faint | 10/31/1997 | See Source »

Written and directed by Filipe la Feria; Teatro Politeama, Lisbon...

Author: /time Magazine | Title: Sightings | 6/27/1994 | See Source »

...OPEN THE CHAMPAGNE and toast Lisbon's Teatro Politeama. The once shabby 795-seat theater has been delightfully done over, and is now the ornate showplace for Portugal's first homegrown musical. To the Portuguese, who daily see new headlines about political corruption, Damned Cocaine (Maldita Cocaina) is less madcap romp than pointed satire. The Roaring Twenties return, with characters modeled on colorful real-life denizens of that era, and the setting is Maxim's, then a well-known Lisbon night spot. Through its doors parade a fascist army general with an eye for beautiful women, a count...

Author: /time Magazine | Title: Sightings | 6/27/1994 | See Source »

...years between those two very different projects saw Rossi's transformation from cult hero to blue-chip eminence grise. His floating 250- seat Teatro del Mondo, for the 1980 Venice Biennale, captured the imagination of architects around the world. In 1982 The Architecture of the City finally came out in English, and two years after that, the housewares company Alessi began marketing his gorgeous, Teatro-like silver espresso maker. Suddenly, there was a surge of important building commissions and groundbreakings. In 1988 five Rossi projects were finished in Italy...

Author: /time Magazine | Title: Design: A Cult Hero Gets His Due | 4/30/1990 | See Source »

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