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...young ballerina, it was an object lesson in precision and prerogative. Too intent on one of her moves in Giselle at Trieste's Teatro Verdi Opera House, 20-year-old Giovanna Mariani accidentally touched down on the slipper of the ballet's star, Rudolf Nureyev. Instantly, so gracefully that he did not miss a step, the temperamental Russian slapped her full across the face. Giovanna fled in tears but returned after five minutes and finished the performance. Next day she set out to teach Nureyev an object lesson of her own -by filing assault charges against...

Author: /time Magazine | Title: People: Nov. 21, 1969 | 11/21/1969 | See Source »

...European tour, Miss Ella was warmly welcomed by fans as she strolled down Rome's Via Veneto. She dined early at Giggi Fazi with Romano Mussolini (one of Benito's sons) and his wife Maria (Sophia Loren's sister), then put on a show at the Teatro Sistina that nearly brought the palazzo down. Dressed in a simple blouse and skirt, Ella warbled her standards: Mack the Knife, Mister Paganini, A Man And A Woman, then answered two tumultuous curtain calls with a rendition of People...

Author: /time Magazine | Title: People: Jun. 27, 1969 | 6/27/1969 | See Source »

...first to be arrested under the new decree was former President Juscelino Kubitschek, whose popularity has consistently gained as that of Costa has waned. He was whisked away from the steps of Rio's downtown Teatro Municipal, where he had just addressed a graduating class. Also reported arrested: Helio Fernandes, publisher of the newspaper Tribuna da Imprensa; Osvaldo Peralva, director of the opposition paper Correio da Manha; several high officials of former regimes; and Singer-Composer Chico Buarque de Hollanda. His stage play, Roda Viva, was recently raided by right-wing thugs and its leading lady was tossed nude...

Author: /time Magazine | Title: World: CRACKDOWN IN BRAZIL | 12/20/1968 | See Source »

...open-air settings for dramatizing their message to children, students, workers and activists. Naturally, the values of the Broadway stage are anathema to them. "You cannot respond to junk like Tennessee Williams or Arthur Miller," insists Luis Valdez, an alumnus of the Mime Troupe and founder of El Teatro Campesino. "Art is communication. The more artful you are, the more straight-telling you are." This is roughly the esthetic theory of the poster or the comic strip, and guerrilla theater is hardly more subtle; radical drama willingly sacrifices art for impact, nuance for message, plot for propaganda...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

Making Noise. Where the Bread and Puppet Theater leaves off, El Teatro Campesino (the Farm Workers' Theater) begins. It does not simply point out evil but demands immediate action to eradicate it. An example of contemporary folk art, the Teatro has traveled the dusty roads of California's San Joachin Valley for three years, giving artistic moral support to the strike of César Chávez's Mexican-American grape pickers. The players encourage a revivalist atmosphere of hand clapping and shouting. "We like to make noise," says Director Valdez, who studied drama...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

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