Word: tebaldi
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Dates: during 1950-1959
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...goddesses who insist that he choose the fairest of them by handing her an apple (Golden Delicious, supplied by Sherry's Restaurant). The goddesses, of course, are the three reigning sopranos who, season after season, vie for favor at the Met-Zinka Milanov, Maria Meneghini Callas and Renata Tebaldi...
...three dazzling prima donnas. For sheer beauty of voice, the prize might go to Milanov, who at 52 still offers many a superb performance. For excitement, versatility and dramatic power, the apple would easily go to Maria Callas. But for sustained excellence of singing, it would go to Renata Tebaldi...
...their vocal specialties. If the award of Bing's dream were ever to take place, Soprano Milanov, a buxom, outgoing, hearty woman, would probably take a bite out of the apple. Soprano Callas would coolly accept it as her due and have it mounted in diamonds. Soprano Tebaldi, if she followed form, would place it on her dressing table amid her collection of toy animals. On the surface, at least, Renata Tebaldi is that rarest of phenomena in the posturing, wigged-and-powdered world of grand opera-a soprano without apparent temper, temperament or obtrusive...
Champagne & Coke. Tebaldi's eminence in the world of international opera is made the more striking by a shortage of competition. Only Callas, Milanov and Italy's great mezzo, Giulietta Simionato, rank with her in the grand tradition. Below the leaders there is a substantial reservoir of fine veteran singers, all of them capable of turning in consistently competent and often inspired performances. They include Victoria de los Angeles, Elisabeth Schwarzkopf, Antonietta Stella, Eleanor Steber, Sena Jurinac, Lisa Delia Casa, Irmgard Seefried, Leonie Rysanek, Risë Stevens. Backing them up is a promising and fast-rising crop...
Such fighting words propelled Bing into the kind of operatic hassle usually reserved for prima donnas. San Francisco's Vienna-born Kurt Herbert Adler tore into Vienna-born Rudi Bing, pointed out that the San Francisco company has welcomed such artists as Tebaldi, Del Monaco, Christoff, Siminonato, Valletti, Gobbi, Schwarzkopf and Rysanek for their U.S. debuts, can boast a list of U.S. premieres that puts the Met to shame. Last week San Francisco gave the first U.S. stage performances of two short works by German Composer Carl Orff-Die Kluge and Carmina Burana. Other noted San Francisco firsts: Walton...