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...malaise seemed justified. The elegant old music box was jammed, notably with Hollywood stars, starlets, starlettes, and lesser celestial debris. When Judy strode onstage (she is probably the only woman of 5 ft. ½ in. who can stride), she got, without opening her mouth, what it takes Renata Tebaldi two and a half hours of Puccini to achieve: a standing, screaming ovation that lasted almost five minutes. As the hoarse shouts dwindled, one could hear an undertow: "She's much, much thinner," "She seems very stable...

Author: /time Magazine | Title: Headliners: Over & Over the Rainbow | 5/5/1961 | See Source »

...part that I can only regret that he did not perform in the Metropolitan revival which I saw a few weeks ago. In his beautiful scene after the death of Liu, Tozzi evokes Timur's peculiar mixture of frustrated power and deep affection with especial effectiveness. Renata Tebaldi has recorded Liu once before, for a London release, and time seems to have lessened the appropriateness of her great voice for this role. Today, she sounds more like a dramatic Verdian heroine, than a pitiful slavo girl. But her extremely sensitive phrasing is here as apparent and as welcome as ever...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

Erich Leinsdorf elicits a stirring performance from the Rome Opera House Orchestra. The somewhat slow tempi he chose for the first act arias of Liu and Calaf seems to have proved a bit difficult even for Bjoerling and Tebaldi to sustain. But certainly the finale of that act becomes more effective at that pace. The Rome Opera House Chorus is positively magnificent; even their highest-lying passages in the second and third acts seem to pose no problem for them...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

Leontyne Price is inevitably compared to opera's other great divas. Renata Tebaldi, an indifferent actress, is perhaps the closest to pure voice; if she wanted to, she could produce ravishing sounds while reading a grocery list. Eileen Farrell wields her powerful voice with a fine sense of dramatic effect, but she is handicapped by a stage presence that sometimes destroys the illusion that her voice is creating. As for Maria Callas, she triumphs through sheer intelligence, acting ability and guts over her vocal limitations; she has undeniable fire without comparable warmth. Says a colleague who has worked with...

Author: /time Magazine | Title: Music: A Voice Like a Banner Flying: Leontyne Price | 3/10/1961 | See Source »

...Bell Telephone Hour (NBC, 9-10 p.m.). Jose Iturbi, Renata Tebaldi and Shirley Jones, with Dancers Maria Tallchief and Erik Bruhn. Color...

Author: /time Magazine | Title: Time Listings: Jan. 6, 1961 | 1/6/1961 | See Source »

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