Word: tebaldi
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...wrong ship from Italy, and were put in place only 30 minutes before curtain time. San Francisco Opera Soprano Regine Crespin was forced out of the first-night Gioconda with a throat infection, and Substitute Leyla Gencer (who in past Coast seasons has filled in for Callas and Tebaldi) had to learn one of opera's cruelest roles in less than two weeks...
BELL TELEPHONE HOUR (NBC, 6:30-7:30 p.m.). "The First Ladies of Opera," with Birgit Nilsson, Leontyne Price, Joan Sutherland and Renata Tebaldi in separate sequences highlighting their unique styles...
...years on radio and TV, the Bell Telephone Hour played duenna to the world's best music and most of its best contemporary performers, from Pons and Pinza to Toscanini and Tebaldi. The show had all the virtues of the duenna -care, good taste, restraint and fondness for her charges -but also the one vice: it was often pretty dull. Producer Henry Jaffe recalls: "We'd put a performer on a bleak stage in front of a dirty curtain and say, 'Perform!' " Perform they did, often superbly, but Bell began to feel its image had become...
...Antony and Cleopatra, the scenery outweighed the music. La Traviata, Verdi's melancholy masterpiece, was buoyed by the stylish performances of Anna Moffo and Robert Merrill. La Gioconda, an en dearing old war horse, came vibrantly alive in an opulent but refreshingly conventional production, beautifully sung by Renata Tebaldi and Franco Corelli...
...near. A far cry, as they say, from Lincoln Center's State Theatre, where people sixteen rows back in the Orchestra shouted "Louder!" at Paul Schofield in King Lear. Cornell MacNeil stole the show in La Gioconda, and his duet with Franco Corelli brought down the house. Neither Renata Tebaldi nor Cesare Siepi were quite as brilliant, but the singing all around was fine. The Met is an avowed showcase for stars, and it was the stars who put over this museum piece...