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Word: technicolor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...career, he proved he could play a U.N.'s worth of accents and roles. Lately, however, his roles have been playing him, a familiar figure afflicted by gigantosis of the production and paralysis of the talent. Unlike his black-and-white delights of the '50s, this Technicolor collage substitutes fake eccentricity for true humor. One man wears a toupee that looks like melted LPs, another drinks nothing but brandy and egg whites-it looks as if someone had expectorated in it, says Sellers, in a fair sample of the film's scripted wit. And nearly everybody speaks...

Author: /time Magazine | Title: Cinema: Blue Matador | 10/13/1967 | See Source »

...Bobo is another movie in which Peter Sellers' comic gifts lose out to Technicolor. A comedian is not an object to be photographed from all angles like a fancy be-ribboned package. That fact escapes Robert Parrish, the director. Since he can't quite make Sellers a thing of beauty, he places him in a whirl of chi-chi clothes and Spanish opulence, occasionally adding a flamenco dancer. In case Sellers still sticks out as a funny man, Parrish drowns him in Exodus sound...

Author: By Joel Demott, | Title: The Bobo | 8/15/1967 | See Source »

...developed a stereotype of the cinema dancer that endured for more than a decade: an ordinary chap in sports shirt, ballooning slacks and white socks (to draw attention to his feet). His style was virile, breezy, and charged with a lusty bravura, whether he was splashing through a Technicolor rainstorm, kicking up his heels beneath the Eiffel Tower, or skittering across Manhattan stoops in his Navy whites. Though his singing voice sounded like someone gargling pebbles, he projected an easy grace and wit that made him the most sought-after song-and-dance man in Hollywood...

Author: /time Magazine | Title: Old Faces: Sextuple Threat | 8/4/1967 | See Source »

...years later, Writer-Director Blake Edwards has resurrected the hero of his finest half-hours. Trading up from TV to a wide screen and Technicolor is not the only change he has made. Regular Gunn Moll Lola Albright, who played Edie, and Herschel Bernardi, as Lieut. Jacoby, are gone, and by the finale, Mother's joint has become a discotheque. But the music is still by Mancini, and Craig Stevens retains his dry-ice delivery and his Gary Grant composure even in this preposterously plotted pursuit of a villain who killed one of Gunn's gangster friends...

Author: /time Magazine | Title: Cinema: Small Caliber | 7/14/1967 | See Source »

Schick and another of Frawley's companies, Technicolor, Inc., often take two or three full-page ads in MRA publications such as the magazine Pace and various explanatory paperbacks. There is even a tie-in deal with Schick razors if you buy the Sing-Out record...

Author: By James K. Glassman, COPYRIGHT 1967 BY HARVARD CRIMSON INC.(SECOND OF TWO ARTICLES) | Title: Moral Rearmament: Its Appeal and Threat | 3/28/1967 | See Source »

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