Word: technicolor
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...Baroque paintings and Francis Bacon's meaty compositions together in a confusion of people, images, anguish, sex, written words, emotions-in a word, modern western culture. In part this opening credits sequence challenges (in a laughable sort of way) the truth of a film's assertions: "color by Technicolor" is followed by a picture certainly painted in FrancisBaconColor (here, of course, it is in Technicolor); "paintings by Jim Dine" precedes the work of an Italian several centuries dead. More importantly, the sequence creates a continuum of the manmade, the cultural, the imagistic, the signifying and thus sets a direction...
...America," criticizes Tunney's opposition to a bill allowing FBI agents to investigate campus bombings, links his foe to radical-liberal causes and individuals. Still hawkish, Murphy assures his audiences: "The war is going great." Murphy's age is a handicap, as is his admission that he was on Technicolor Inc.'s payroll while serving in the Senate. Head to head, Tunney probably would win. Republicans hope Reagan's ample coattails will drag his old showbiz pal along...
...June Murphy was implicated in a conflict of interest scandal involving his relations with Technicolor Inc. Since the beginning of his Senate career, he has been employed by the firm as a $20,000 a year consultant. In addition, Technicolor has paid half the rent on Murphy's Washington, D.C. apartment and has provided him with a credit card for his travel expenses. Murphy claims that there is nothing wrong with a Senator picking up pocket money in such a fashion, but the incident is the kind of political no-no that can lose elections...
Faust's characters frequently define themselves through movie references. Much of the novel, in fact, could be regarded as a highly inventive, sardonic paraphrasing of Zulu, a 1964 Technicolor extravaganza about the bloody exertions of a British outpost to defend itself against human waves of frenzied black warriors. This particularly holds for the novel's ending, a melodramatic surrealization of a ghetto uprising...
...third of the Metropolitan Museum's monumental exhibitions in honor of its hundredth anniversary, 19th-Century America. comes prepared to outdo the previous exhibitions in claborate display, quantity and splendour. With the bravura of technicolor and wide screen, the museum puts hundreds of paintings and sculptures among a setting of period furniture and decorative art with craftsmanship and detail stripped from design today...