Word: technicolor
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Twentieth Century Fox's newest technicolor extravaganza, Bloodhounds of Broadway, should rate as one of the worst musicals of the year. The standard of acting is so poor that any Oscars for the film must go to two sleepy-eyed bloodhounds who meander their way through the very routine Damon Runyon plot--which has such a strong resemblance to the stage show Guys and Dolls that legal action has been started. For the movie's sake it's too bad that the alleged plagiarism wasn't more obvious...
Starring Robert Donat, the J. Arthur Rank technicolor masterpiece features almost every well-known English star. Michael Redgrave briefly appears as an instrument maker, while Emlyn Williams only faces the audience once...
...Snows of Kilimanjaro is about an unhappy writer, dying of gangrene under a treeful of vultures while he thinks in flamboyant technicolor flashback thoughts about his misspent life and the stories he has failed to write. Hemingway used those flashbacks effectively to tell you a little about his writer: 20th Century Fox uses them only to sneak in one colossal scene after another. Thick and fast they come: Gregory Peck by the Seine, Gregory Peck and Ava Gardner at the bullfights and in the Spanish civil war, Gregory Peck and Hildegarde Neff splashing about the Riviera, Gregory Peck, friendly natives...
...Prisoner of Zenda (MGM) is the first time in Technicolor, but the fourth time on film, for Anthony Hope's durable 1894 Ruritanian romance. The Ruritania in this edition is as magnificent a mythical kingdom as M-G-M money can buy-outsize castles, royal hunting lodges and gargantuan coronation balls...
...last year's Festival of Britain, enlists many of the outstanding names in British films. It has some 70 stars, from Michael Redgrave to Emlyn Williams, in bit roles. It was produced by Ronald (Great Expectations') Neame, directed by John (Seven Days to Noon) Boulting, photographed in Technicolor by Jack (Red Shoes) Cardiff, and adapted by Eric Ambler from Ray Allister's Friese-Greene, Close-Up of an Inventor. The result is a cinebiography that is more of a blurred long shot than a clear closeup...