Word: technicoloration
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
Director Ford was apparently trying to develop a muscular yarn about the effect of innocence and helplessness on man's wickedness. Three escaping bank bandits, in Technicolor, stumble across a woman in childbirth, stranded in a covered wagon during a sandstorm. The crooks, all 15-minute eggs, immediately begin quaking with spasms of oldtime religion, secondhand paternal pride and firsthand conscience. One of the godfathers (Harry Carey Jr.) dies from exhaustion and a slight wound he picked up in the robbery. Another (Pedro Armendariz) breaks a leg and has to shoot himself. That leaves John Wayne and Baby; Mother...
...story with its face lifted for the third time.* At this point, it wears a starchy mask, and its smiles creak painfully. It is an idyl of the Gay Nineties, and the costumes have a bustley charm; but the girls who wear them are addicted to Technicolor simpers. The love stories of the two young couples (Dennis Morgan and Dorothy Malone, Don DeFore and Janis Paige) reach a high point when they go for a spin in the park in a horseless carriage-a singularly low-voltage form of sparking. Not much else happens to them except that they pair...
...story is a heavy-footed fantasy about a war orphan (Dean Stockwell) adopted by a singing waiter (Pat O'Brien). Overnight, the boy's hair turns green (in Technicolor). He is a symbol of the tragedy that war inflicts on children. But townspeople grow intolerant of the boy because his green hair makes him "different." ("How would you like your sister to marry someone with green hair...
...Paleface (Paramount) is a Technicolor reminder that Bob Hope spent years in vaudeville and on Broadway before he faded to a mere voice on the air. In this burlesque horse opera he adds gestures, double takes, struts and muggery to his redoubtable radio timing. The result is a picture that gives the fans more good Hope than they've had since his film life was first cluttered with crooners, sarongs, the Road-this-a-way and the Road-that...
Words and Music (MGM) has just the right proportions of garlicky bad taste and more than Oriental splendor which (plus Technicolor) add up to a Hollywood dream of heaven-an M-G-M supermusical. Somewhere in this mixture-as-before is a version of the careers of Richard Rodgers and the late Lorenz Hart, preserved from too much resemblance to reality throughout...