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Word: technicoloration (lookup in dictionary) (lookup stats)
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Usage:

...There is a limit to the number of sighs, passionate leers, and little boy looks that even the French can get by with. There is also a limit to an audience's toleration of the naturally objectionable Julien, made even more objectionable by 137 minutes of technicolor...

Author: By Margaret A. Armstrong, | Title: The Red and the Black | 5/18/1959 | See Source »

...cannot cast aspersions upon Gerard Phillipe's portrayal of Julien. Its lugubrious, studied quality is well in line with the movie's tone. The technicolor is, perhaps, the finest feature of the film, making quite clear that the movie is steeped in symbolism. Red and Black come off nicely in color, but, unfortunately, the director seems to think that such visual imagery can make up for more sophisticated dramatic devices...

Author: By Margaret A. Armstrong, | Title: The Red and the Black | 5/18/1959 | See Source »

...East of Eden" is a fine movie with which to begin the post-vacation term. Presumably the viewer has been softened-up with enough adult westerns and 21-inch-screen emotions to welcome Julie Harris, Burle Ives, Raymond Massey and even Jimmy Dean. Besides, it's all in technicolor and wide-screen, which is quite a treat at the Brattle...

Author: By Stephen C. Clapp, | Title: East of Eden | 4/6/1959 | See Source »

...small woman of uncertain age, whose passions are still young because she has never used them. Gifted but a little balmy, Anna primes herself for school each morning with half a tumbler of brandy, frequently gets the weeps, talks persuasively to trees and flowers, has stupendous headaches in Technicolor. Wildly alive, Anna flinches only at the thought of her empty womb. She knows her enemies, "all married women," and has a pronounced allergy to "smug men using women and then cruising off and leaving them to clean...

Author: /time Magazine | Title: Books: Wildly Alive | 3/16/1959 | See Source »

When the average Hollywood magnate decides to make a picture, he rounds up a million dollars or so, mounts his curved-screen camera, and hires a host of stars. Several years later, the technicolor epic will, he hopes, draw enough people away from their 21 inch screens to pay the tremendous production costs. To put it mildly, motion pictures are big business, from Producer on down to Assistant Continuity...

Author: By Craig K. Comstock, | Title: Pather Panchali | 3/3/1959 | See Source »

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