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Word: technicoloration (lookup in dictionary) (lookup stats)
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...film, as a film, is one of the industry's best. Visually, it could scarcely be improved. The Technicolor camera sweeps through Palladian palaces and country estates and catches pleasant fragments of the earthly paradise inhabited by Russia's landed gentry-the balls and hunts, the troika races and officers' revels. The duel between Pierre and Dolokhov is fought in a dawnlit forest where snow and awakening sky gleam with as many frosty gradations of white as a pearl fresh from the sea. When Pierre, a civilian at the front, hears the opening guns of the bloody...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 10, 1956 | 9/10/1956 | See Source »

Many other aspects of the movie serve admirably to heighten the adventure and the atmosphere. The new color style, a blend of black and white with technicolor--is an ideal compromise between the prosaic and the lush. The musical score is appropriate. And Huston controls the dramatic pace effectively, starting slowly in the New Bedford scenes, mixing in increasingly explicit predictions of doom, and constantly quickening the tempo until at the end, in the storm scene and the final fight with Moby Dick, the action grips not just the Pequod's crew but the audience as well...

Author: NO WRITER ATTRIBUTED | Title: Moby Dick | 7/2/1956 | See Source »

...Great Locomotive Chase (Buena Vista). Walt Disney has intelligently made a Technicolor, CinemaScope film out of one of the best adventure stories of the Civil War. In the spring of 1862, a Union spy named James J. Andrews and a score of volunteer infantrymen from Ohio penetrated nearly 200 miles behind the Confederate lines in Tennessee, seized a railway train outside Marietta, Ga. and raced north intending to destroy track and railway bridges as they fled. Their object: to prevent Southern reinforcements from being sent from Atlanta while Union General Mitchel made a surprise attack on Chattanooga...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 2, 1956 | 7/2/1956 | See Source »

Wayne promptly fills his trusty horse with hay and sets off on a fiveyear, Technicolor, VistaVision search for the girls. His itinerary sounds like that of Lewis & Clark, but the camera never seems to get outside Arizona and Utah's beautiful Monument Valley. Tagging along is Jeffrey Hunter, who spends nearly as much time trying to soften Wayne's vindictiveness as he does hunting Indians. Though the film runs for two hours, it nevertheless races through its individual scenes at so breakneck a pace that moviegoers may be uncertain just what is going on. Director Ford indulges...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 25, 1956 | 6/25/1956 | See Source »

...turvy take-off on Schnitzler's La Ronde-in which a daisy chain of lovers passes a bracelet (it was syphilis in the original) from one to another until it gets back where it started from-is mostly not much better than the brothel sequence in any other Technicolor musical. The third offering is a parody of Scheherazade, in which Kelly, as a Sinbad in a sailor suit, does an ever-so-cute little dance with some animated cartoon figures...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 11, 1956 | 6/11/1956 | See Source »

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